Skip to main content Accessibility help
×
Hostname: page-component-7bb8b95d7b-2h6rp Total loading time: 0 Render date: 2024-09-07T08:19:26.678Z Has data issue: false hasContentIssue false

III.6 - Robert Burton, The Anatomy of Melancholy (1621)

from PART III - Education and science

Published online by Cambridge University Press:  05 August 2016

William E. Engel
Affiliation:
University of the South, Sewanee, Tennessee
Rory Loughnane
Affiliation:
Indiana University–Purdue University, Indianapolis
Grant Williams
Affiliation:
Carleton University, Ottawa
Get access

Summary

About the author

Robert Burton (1577–1640), a scholar of divinity, discharged various administrative duties at Oxford University, the most significant of which was Christ Church's librarian – an office he held from 1624 until his death. Supposedly he was unsurpassed in his quick-witted capacity to interlard his daily conversation with apposite lines from poets and classical authors.

About the text

One of the most popular books on philology in the seventeenth century, The Anatomy of Melancholy went through six different editions, five during his lifetime and one posthumously. Burton, who on the title page goes by his alias, Democritus Junior, calls The Anatomy a cento, which refers to a patchwork composition of quotations. The term fittingly describes his scholarly method of stitching together Latin and English scraps from numerous texts. The cento is a memory art. The Anatomy then is a book of books, truly a librarian's vision and labour. The digressive, polymathic enterprise, at times ironic and at other times theological, results in an inimitable encyclopedia on all things melancholy as though the entire cosmos could be viewed from the perspective of this affliction. Synoptic tables map out the volume's three convoluted partitions, each possessing its own sections, members and subsections: simply put, the first partition examines melancholy's causes and symptoms, the second its cures and the third its three species: love melancholy, jealousy and religious melancholy.

The arts of memory

Belonging to a formal digression on the anatomy of the human body, the excerpt affords a representative, not an innovative, account of faculty psychology. Burton succinctly redacts ideas about the brain that the early modern period inherits from a tradition stretching back to Aristotle through Thomas Aquinas and the Arab physicians. In that tradition, the faculty of memory, though operating in conjunction with the common sense and phantasy, shadows its artificial counterpart closely insofar as it designates an actual place where images are deposited.

Textual notes

Democritus Junior, The Anatomy of Melancholy, What It Is. With all the Kindes, Causes, Symptoms, Prognostickes, and Severall Cures of It (Oxford, 1621), C2r–C2v (1.1.2.7).

The Anatomy of Melancholy

Inner senses are three in number, so called because they are within the brainpan, as common sense, phantasy, memory. Their objects are not only things present, but they perceive the sensible species of things to come, past, absent, such as were before in the sense.

Type
Chapter
Information
The Memory Arts in Renaissance England
A Critical Anthology
, pp. 166 - 168
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Renaker, David, ‘Robert Burton's Tricks of Memory’, PMLA, 87.3 (1972), 391–6.Google Scholar
Gowland, Angus, The Worlds of Renaissance Melancholy: Robert Burton in Context (Cambridge University Press, 2006).

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×