Skip to main content Accessibility help
×
×
Home
Gershwin: Rhapsody in Blue
  • Get access
    Check if you have access via personal or institutional login
  • Cited by 3
  • Cited by
    This book has been cited by the following publications. This list is generated based on data provided by CrossRef.

    RAPPORT, EVAN 2008. Bill Finegan's Gershwin Arrangements and the American Concept of Hybridity. Journal of the Society for American Music, Vol. 2, Issue. 04, p. 507.

    BAÑAGALE, RYAN RAUL 2009. “Each Man Kills the Thing He Loves”: Bernstein's Formative Relationship with Rhapsody in Blue. Journal of the Society for American Music, Vol. 3, Issue. 01, p. 47.

    Saperstein, Mare Herzig, Arno Battenberg, J. Friedrich Silber, Marcos Kreisel, Haim Wiese, Christian Hagemeister, Michael Zaretsky, Eli Michels, Evi Schroeder, Werner Wilke, Carsten L. Nadell, Pamela S. Morgenstern, Matthias Sapoznik, Henry Efron, John M. Norkina, Ekaterina Kosuch, Carolin Jaiser, Gonstanze Scheuerman, William E. Gruschka, Roland Studemund-Halévy, Michael Meyer, Michael A. Hofmann, Stefan Berger, Michael Olson, Jess Schüler-Springorum, Stefanie Meyer, Beate Gross, Raphael Freidin, Gregory Berg, Nicolas Leicht, Reimund Biemann, Asher D. Domdey, Horst Rohrwasser, Michael Haller, Michael Poznanski, Renée Zohar, Zvi Eisele, Theresa Rodrigue, Aron Breitman, Richard Sullam, Sirnon Levis von Rohden, Frauke Randhofer, Regina Pollack, Jonathan Z. D. Ben-Ari, Nitsa Díaz-Mas, Paloma Schwarz, Memme Makhalova, lrina Coppi, Hans Weber, Klaus Ristau, Daniel Khazan, Vladimir Soltes, Ori Z. Lamdan, Ruth Weidner, Daniel Bilski, Emily D. Naar, Devin Lévy, Clara Gillerman, Sharon Birnbaum, Pierre Werb, Bret Shire, Michael Ehn, Michael Strouhal, Ernst Gelber, Mark H. Lavi, Shai Goikhman, Izabella Dynner, Glenn Saß, Anne-Christin Necker, Gerold Ezrahi, Sidra DeKoven Koch, Gertrud Hambrock, Matthias Miron, Dan Engel, David Cohen, Raya McCormick, Rick Warnke, Nina Steffen, Katrin Loewy, Hanno Jaehner, Inge Reitter, Paul Johnston, Elizabeth Eva Ray, Jonathan Herrn, Rainer Sarna, Jonathan D. Morlok, Elke Aust, Cornelia Grimstad, Knut Andreas Thulin, Mirjam Gai-Ed, Efrat Schülting, Sabine Keane, Barry Green, Toby Gerber, Jan Barnai, Jacob Silberklang, David Isenschmid, Andreas Ticotsky, Giddon Goldberg, Chad Alan Müller, Marcel Feinberg, Anat Zimmermann, Moshe Quaasdorf, Friedrich Estraikh, Gennady Hartung, Gerald Balke, Ralf Jean, Yaron Kedar, Nir Schmid, Ulrich Hart, Mitchell B. Bachmann, Michael Mendes-Flohr, Paul Pickhan, Gertrud Kara, Cem Lohmann, Ingrid Ben-Naeh, Yaron Battegay, Caspar Knufinke, Ulrich and Keßler, Katrin 2014. Enzyklopädie jüdischer Geschichte und Kultur. p. 1.

    ×
  • Export citation
  • Recommend to librarian
  • Recommend this book

    Email your librarian or administrator to recommend adding this book to your organisation's collection.

    Gershwin: Rhapsody in Blue
    • Online ISBN: 9780511620201
    • Book DOI: https://doi.org/10.1017/CBO9780511620201
    Please enter your name
    Please enter a valid email address
    Who would you like to send this to *
    ×
  • Buy the print book

Book description

The Rhapsody in Blue (1924) established Gershwin's reputation as a serious composer and has since become one of the most popular of all American concert works. In this richly informative guide David Schiff considers the piece as musical work, historical event and cultural document. He traces the history of the Rhapsody's composition, performance and reception, placing it within the context of American popular song and jazz and the development of modernism. He also provides a full account of the different published and recorded versions of the work and explores the many stylistic sources of Gershwin's music. The book also contains an extended discussion of Paul Whitman's Experiment in Modern Music, considers the influence of the Rhapsody on other works (e.g. the music of Duke Ellington) and examines the traditions and institutions of Jewish cultural populism.

Reviews

‘… the big value of this small book lies in its persuasive advocacy. Gershwin’s Rhapsody in Blue stimulates thought on the social and even philosophical import of crossover music, enabling us to see the piece for what it was and might be … fuels speculation on the relationship between music and liturgy, and perhaps between dance and song … of practical relevance to any performance one may experience.’

Source: The Musical Times

‘… a most convincing interpretation of this surprisingly complex work and provides a welcome and stimulating addition to the Cambridge handbook series’.

Source: Music and Letters

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Send to Kindle
  • Send to Dropbox
  • Send to Google Drive
  • Send content to

    To send content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about sending content to .

    To send content items to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about sending to your Kindle.

    Note you can select to send to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be sent to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

    Find out more about the Kindle Personal Document Service.

    Please be advised that item(s) you selected are not available.
    You are about to send
    ×

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed