Contents

pp 5-6

Acknowledgements

pp 7-8

Introduction

pp 9-10

Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures

pp 11-24

I - The Ramifications of Cinephilia: Theory and History

pp 25-26

Cinephilia or the Uses of Disenchantment

pp 27-44

Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci’s The Dreamers

pp 45-54

Mass Memories of Movies: Cinephilia as Norm and Narrative in Blockbuster Culture

pp 55-64

Love in the Time of Transcultural Fusion: Cinephilia, Homage and Kill Bill

pp 65-80

II - Technologies of Cinephilia: Production and Consumption

pp 81-82

Remastering Hong Kong Cinema

pp 83-96

Drowning in Popcorn at the International Film Festival Rotterdam?: The Festival as a Multiplex of Cinephilia

pp 97-110

Ravenous Cinephiles: Cinephilia, Internet, and Online Film Communities

pp 111-124

Re-disciplining the Audience: Godard’s Rube-Carabinier

pp 125-134

The Original Is Always Lost: Film History, Copyright Industries and the Problem of Reconstruction

pp 135-150

III - Techniques of Cinephilia: Bootlegging and Sampling

pp 151-152

The Future of Anachronism: Todd Haynes and the Magnificent Andersons

pp 153-168

Conceptual Cinephilia: On Jon Routson’s Bootlegs

pp 169-180

Playing theWaves: The Name of the Game is Dogme95

pp 181-196

The Parenthesis and the Standard: On a Film by Morgan Fisher

pp 197-210

The Secret Passion of the Cinephile: Peter Greenaway’s A Zed and Two Noughts Meets Adriaan Ditvoorst’s DeWitte Waan

pp 211-222

Biographies

pp 223-226

Index of Names

pp 227-232

Index of Film Titles

pp 233-236

Film Culture in Transition

pp 237-238