Book contents
- The Cambridge History of Latina/o American Literature
- The Cambridge History of Latina/o American Literature
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Chronology
- Introduction
- Part I Rereading the Colonial Archive
- Part II The Roots and Routes of Latina/o Literature
- Part III Negotiating Literary Modernity
- Part IV Literary Migrations across the Americas, 1980–2017
- 22 Undocumented Immigration in Latina/o Literature
- 23 Latina Feminist Theory and Writing
- 24 Invisible No More
- 25 Latina/o Life Narratives
- 26 Poetics of the “Majority Minority”
- 27 The Quisqueya Diaspora
- 28 Listening to Literature
- 29 Brazuca Literature
- 30 Staging Latinidad and Interrogating Neoliberalism in Contemporary Latina/o Performance and Border Art
- 31 Trans-American Popular Forms of Latina/o Literature
- 32 Trauma, Translation, and Migration in the Crossfire of the Americas
- 33 The Mesoamerican Corridor, Central American Transits, and Latina/o Becomings
- 34 Differential Visions
- 35 Temporal Borderlands
- Epilogue
- Bibliography
- Index
- References
33 - The Mesoamerican Corridor, Central American Transits, and Latina/o Becomings
from Part IV - Literary Migrations across the Americas, 1980–2017
Published online by Cambridge University Press: 16 February 2018
Book contents
- The Cambridge History of Latina/o American Literature
- The Cambridge History of Latina/o American Literature
- Copyright page
- Dedication
- Contents
- Contributors
- Acknowledgements
- Chronology
- Introduction
- Part I Rereading the Colonial Archive
- Part II The Roots and Routes of Latina/o Literature
- Part III Negotiating Literary Modernity
- Part IV Literary Migrations across the Americas, 1980–2017
- 22 Undocumented Immigration in Latina/o Literature
- 23 Latina Feminist Theory and Writing
- 24 Invisible No More
- 25 Latina/o Life Narratives
- 26 Poetics of the “Majority Minority”
- 27 The Quisqueya Diaspora
- 28 Listening to Literature
- 29 Brazuca Literature
- 30 Staging Latinidad and Interrogating Neoliberalism in Contemporary Latina/o Performance and Border Art
- 31 Trans-American Popular Forms of Latina/o Literature
- 32 Trauma, Translation, and Migration in the Crossfire of the Americas
- 33 The Mesoamerican Corridor, Central American Transits, and Latina/o Becomings
- 34 Differential Visions
- 35 Temporal Borderlands
- Epilogue
- Bibliography
- Index
- References
Summary
This essay focuses on contemporary events of “other” Latinos in the making through the Mesoamerican corridor, alongside the inception of an ever-expanding Latinidad to divergent spaces in the twenty-first century. It examines how Latino otherness appears and functions in transit, before it is “delivered” and takes on life as U.S. Latino and in the context of migrants from Central America’s Northern Triangle traveling up toward the United States on cargo trains known as “The Beast.” Drawing from journalist Óscar Martínez’s autobiographies of migrants’ lives, as chronicled in The Beast: Riding the Rails and Dodging Narcos on the Migrant Trail, this analysis turns to the Mexico of train tracks, a tenebrific geography serving as a site of Central American-American abjection that maps the “mega-slummisation” of migrant inhumanity. Central Americans become a regional body––or no-bodies that are “just” a body––striving for human aspiration.
- Type
- Chapter
- Information
- The Cambridge History of Latina/o American Literature , pp. 674 - 690Publisher: Cambridge University PressPrint publication year: 2018
References
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