Book contents
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- 13 The Literary Intellectuals of the Early Cuban Republic
- 14 The Invention of the Black Cuban in the Early Twentieth Century
- 15 The Fluid Expressive Communities of Cuba’s Interwar Avant-Gardes
- 16 Lydia Cabrera and Afro-Caribbean Imaginaries
- 17 The Fictions of New Urban Subjects
- 18 The Esthetics of Dulce María Loynaz
- 19 José Lezama Lima and the Orbits of Orígenes
- 20 Alejo Carpentier and Cuba’s Literary Twentieth Century
- 21 The Weighted Literary Islands of Virgilio Piñera
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
21 - The Weighted Literary Islands of Virgilio Piñera
from Part III - Literary and Intellectual Culture in the Twentieth-Century Republic
Published online by Cambridge University Press: 31 August 2024
- The Cambridge History of Cuban Literature
- The Cambridge History of Cuban Literature
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction Unfinished Histories
- Part I Literature in the Early Colony
- Part II Cuban Literature’s Long Nineteenth Century
- Part III Literary and Intellectual Culture in the Twentieth-Century Republic
- 13 The Literary Intellectuals of the Early Cuban Republic
- 14 The Invention of the Black Cuban in the Early Twentieth Century
- 15 The Fluid Expressive Communities of Cuba’s Interwar Avant-Gardes
- 16 Lydia Cabrera and Afro-Caribbean Imaginaries
- 17 The Fictions of New Urban Subjects
- 18 The Esthetics of Dulce María Loynaz
- 19 José Lezama Lima and the Orbits of Orígenes
- 20 Alejo Carpentier and Cuba’s Literary Twentieth Century
- 21 The Weighted Literary Islands of Virgilio Piñera
- Part IV The Revolution’s Literary-Cultural Initiatives and Their Early Discontents
- Part V Cuba and Its Diasporas into the New Millennium
- Epilogue
- Select Bibliography
- Index
- References
Summary
Following the chronological contours of Virgilio Piñera’s biography, this chapter explores his initial involvement with the Grupo Orígenes writers and his subsequent rejection of the group’s esthetics; his poetry, particularly his inventive long poem La isla en peso; his pioneering satirical and absurdist plays; the acerbic humor, nonconformist characters, and existential despair characterizing his short stories; the convention-shattering treatment of sexuality and homoeroticism in his novels; and his literary-journalistic writing. Noting Piñera’s enthusiastic initial embrace of the revolution and engagement in its artistic projects, the chapter also details his subsequent arrest, ostracism by the state, and censorship of his work until his death in 1979; the official Cuban resurrection of his legacy beginning in the 1980s; and international recognition of his work into the twenty-first century.
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- The Cambridge History of Cuban Literature , pp. 336 - 350Publisher: Cambridge University PressPrint publication year: 2024