Book contents
- Frontmatter
- Contents
- Notes on Contributors
- Introduction
- 1 Mimesis, Gesture, and Parody in Musical Word-Setting
- 2 Rhetoric and Music: The Influence of a Linguistic Art
- 3 Eminem: Difficult Dialogics
- 4 Artistry, Expediency or Irrelevance? English Choral Translators and their Work
- 5 Pyramids, Symbols, and Butterflies: ‘Nacht’ from Pierrot Lunaire
- 6 Music and Text in Schoenberg's A Survivor from Warsaw
- 7 Rethinking the Relationship Between Words and Music for the Twentieth Century: The Strange Case of Erik Satie
- 8 ‘Breaking up is hard to do’: Issues of Coherence and Fragmentation in post-1950 Vocal Music
- 9 Writing for Your Supper – Creative Work and the Contexts of Popular Songwriting
- Index
Frontmatter
- Frontmatter
- Contents
- Notes on Contributors
- Introduction
- 1 Mimesis, Gesture, and Parody in Musical Word-Setting
- 2 Rhetoric and Music: The Influence of a Linguistic Art
- 3 Eminem: Difficult Dialogics
- 4 Artistry, Expediency or Irrelevance? English Choral Translators and their Work
- 5 Pyramids, Symbols, and Butterflies: ‘Nacht’ from Pierrot Lunaire
- 6 Music and Text in Schoenberg's A Survivor from Warsaw
- 7 Rethinking the Relationship Between Words and Music for the Twentieth Century: The Strange Case of Erik Satie
- 8 ‘Breaking up is hard to do’: Issues of Coherence and Fragmentation in post-1950 Vocal Music
- 9 Writing for Your Supper – Creative Work and the Contexts of Popular Songwriting
- Index
Summary
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- Type
- Chapter
- Information
- Words and Music , pp. i - ivPublisher: Liverpool University PressPrint publication year: 2005