Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-m42fx Total loading time: 0 Render date: 2024-07-22T11:13:55.523Z Has data issue: false hasContentIssue false
This chapter is part of a book that is no longer available to purchase from Cambridge Core

Virginia Woolf and the War on Books: Cultural Heritage and Dis-Heritage in the 1930s

from MODERNISM AND HERITAGE

Diane F. Gillespie
Affiliation:
Washington State University
Get access

Summary

In front of the library at Washington State University is Terry Allen's bronze sculpture, “Bookin’, “ a walking human form made of books. We may be what we read, as the sculptor suggests, but our books do not conveniently walk from one job, office, or home to another. We load them into heavy boxes and vow—uselessly—“No more books!” Our personal libraries can be burdens. Still, collected together, our books reflect intellectual growth and cultural heritage. How would we react if some extremist labeled us heretics, then confiscated or destroyed our writings, personal libraries, or the academic and public libraries we use?

In the 1930s, the Nazis launched a campaign of book burning that targeted socalled unGerman ideas, first in Germany, then in countries it occupied. Prior to Britain's declaration of war in 1939, Hogarth Press publications warned about intellectual intolerance on the continent. Today, with cultural devastation still rampant, scholars and historians are looking back at Nazi book burning. These interrelated contexts—Nazi cultural destruction, Hogarth Press responses, and scholarly retrospectives—are large topics in themselves. A brief look, however, helps to illuminate the last years of Virginia Woolf 's book-centered life. In a decade of book burning on the continent, and twenty years after a suffragette arson campaign in England, Woolf used fire to wage peace in Three Guineas.

“When they burn books, they will also, in the end, burn human beings.”

—Heinrich Heine, 1821 (qtd. Knuth, Burning 2)

“Only our books? Once they would have burned us with them”

—Sigmund Freud, 1933 (qtd. Polastron 182)

These comments were both historically apt and prophetic. Soon after Adolf Hitler became Chancellor in January 1933, the Third Reich banned all printed materials containing so-called “inaccurate information” (Polastron 179). Beginning on May 10th, in Berlin and over thirty other towns, university students and Hitler's brown shirts flung onto bonfires thousands of books. They did it with jubilant pageantry, sang Nazi anthems, and gave the Nazi salute. As a French journal reported, “with each new packet of books…, a voice declared the name of the…author and pronounced the sentence of execution” (Polastron 180). Because a major target in Berlin was the Magnus Hirschfield Institute for Sexual Science (Knuth, Burning 102), a good example is this announcement: “Against spiritual corruption and the…unhealthy complication of sexuality…, I commit to the flames the works of Sigmund Freud” (Polastron 180).

Type
Chapter
Information
Publisher: Liverpool University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×