Book contents
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- 1 ‘Classical’ music and Viennese resistance to Schubert's Beethoven project
- 2 Beethoven, Schubert and the movement of phenomena
- 3 [Un]Himmlische Länge: editorial intervention as reception history
- 4 Citation, narrative and meaning: Woody Allen and the late Schubert
- Part II The late instrumental music (1): hermeneutics and performance
- Part III The late instrumental music (2): meaning and genre
- Part IV Defining late style
- Select bibliography
- Index
3 - [Un]Himmlische Länge: editorial intervention as reception history
from Part I - Reception histories
Published online by Cambridge University Press: 05 April 2016
- Schubert's Late Music
- Schubert's Late Music
- Copyright page
- Dedication
- Contents
- Figures
- Music examples
- Tables
- Contributors
- Book part
- Introduction: Schubert's late style and current musical scholarship
- Part I Reception histories
- 1 ‘Classical’ music and Viennese resistance to Schubert's Beethoven project
- 2 Beethoven, Schubert and the movement of phenomena
- 3 [Un]Himmlische Länge: editorial intervention as reception history
- 4 Citation, narrative and meaning: Woody Allen and the late Schubert
- Part II The late instrumental music (1): hermeneutics and performance
- Part III The late instrumental music (2): meaning and genre
- Part IV Defining late style
- Select bibliography
- Index
Summary
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- Information
- Schubert's Late MusicHistory, Theory, Style, pp. 52 - 76Publisher: Cambridge University PressPrint publication year: 2016
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