Book contents
- Frontmatter
- Contents
- Notes on contributors
- Acknowledgements
- 1 Romanticism and colonialism: texts, contexts, issues
- 2 Romanticism and colonialism: races, places, peoples, 1785–1800
- 3 Romanticism and colonialism: races, places, peoples, 1800–1830
- 4 Accessing India: Orientalism, anti-‘Indianism’ and the rhetoric of Jones and Burke
- 5 ‘Sunshine and Shady Groves’: what Blake's ‘Little Black Boy’ learned from African writers
- 6 Blood Sugar
- 7 ‘Wisely forgetful’: Coleridge and the politics of Pantisocracy
- 8 Darkness visible? Race and representation in Bristol abolitionist poetry, 1770–1810
- 9 Fictional constructions of Liberated Africans: Mary Butt Sherwood
- 10 ‘Wandering through Eblis’; absorption and containment in Romantic exoticism
- 11 The Isle of Devils: The Jamaican journal of M. G. Lewis
- 12 Indian Jugglers: Hazlitt, Romantic Orientalism, and the difference of view
- 13 ‘Some samples of the finest Orientalism’: Byronic Philhellenism and proto-Zionism at the time of the Congress of Vienna
- 14 ‘Once did she hold the gorgeous East in fee…’: Byron's Venice and Oriental Empire
- 15 The plague of imperial desire: Montesquieu, Gibbon, Brougham, and Mary Shelley's The Last Man
- Index
14 - ‘Once did she hold the gorgeous East in fee…’: Byron's Venice and Oriental Empire
Published online by Cambridge University Press: 20 August 2009
- Frontmatter
- Contents
- Notes on contributors
- Acknowledgements
- 1 Romanticism and colonialism: texts, contexts, issues
- 2 Romanticism and colonialism: races, places, peoples, 1785–1800
- 3 Romanticism and colonialism: races, places, peoples, 1800–1830
- 4 Accessing India: Orientalism, anti-‘Indianism’ and the rhetoric of Jones and Burke
- 5 ‘Sunshine and Shady Groves’: what Blake's ‘Little Black Boy’ learned from African writers
- 6 Blood Sugar
- 7 ‘Wisely forgetful’: Coleridge and the politics of Pantisocracy
- 8 Darkness visible? Race and representation in Bristol abolitionist poetry, 1770–1810
- 9 Fictional constructions of Liberated Africans: Mary Butt Sherwood
- 10 ‘Wandering through Eblis’; absorption and containment in Romantic exoticism
- 11 The Isle of Devils: The Jamaican journal of M. G. Lewis
- 12 Indian Jugglers: Hazlitt, Romantic Orientalism, and the difference of view
- 13 ‘Some samples of the finest Orientalism’: Byronic Philhellenism and proto-Zionism at the time of the Congress of Vienna
- 14 ‘Once did she hold the gorgeous East in fee…’: Byron's Venice and Oriental Empire
- 15 The plague of imperial desire: Montesquieu, Gibbon, Brougham, and Mary Shelley's The Last Man
- Index
Summary
Once did she hold the gorgeous East in fee;
And was the safeguard of the West: the worth
Of Venice did not fall below her birth,
Venice the eldest Child of Liberty.
She was a maiden City, bright and free;
No guile seduced, no force could violate;
And when she took unto herself a Mate,
She must espouse the everlasting Sea.
And what if she had seen those glories fade,
Those titles vanish, and that strength decay;
Yet shall some tribute of regret be paid
When her long life hath reached its final day:
Men are we, and must grieve when even the Shade
Of that which once was great is passed away.
Wordsworth's sonnet ‘On the Extinction of the Venetian Republic’ (1802) was addressed to Britain at war with Napoleon rather than the citizens of Venice. The celebration of a maritime empire as ‘the safeguard of the West’, and the invocation of that power as a ‘Child of Liberty’ had obvious patriotic implications. Hence the inclusion of the sonnet among the series dedicated to ‘National Independence and Liberty’. These home thoughts from abroad were also a memento mori. The invocation by the sequence of ‘The later Sidney, Marvel, Harrington… and others who called Milton friend’ (Sonnet xv) was a warning ‘lest we forget’ the principles which made the British republic great.
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- Information
- Romanticism and ColonialismWriting and Empire, 1780–1830, pp. 243 - 260Publisher: Cambridge University PressPrint publication year: 1998
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