Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-sh8wx Total loading time: 0 Render date: 2024-07-16T16:59:46.858Z Has data issue: false hasContentIssue false

Introduction: Rewind, Replay

Published online by Cambridge University Press:  18 November 2022

Johnny Walker
Affiliation:
Northumbria University, Newcastle
Get access

Summary

. . .the history of video in Great Britain … would be a book unto itself.

Joshua M. Greenberg, From Betamax to Blockbuster

Those too young to know otherwise would be forgiven for assuming that the pastime of video rental, whereby individuals went to their local video shop to rent a pre-recorded videocassette for the evening, was, like hamburgers and southern fried chicken, a US phenomenon. Until its filing for bankruptcy in 2010, the Blockbuster Video brand, owned by US conglomerate Viacom since 1994, was ‘the dominant player in the [video] rental business’ and the mainstream public face of video store culture throughout the globe. Established in Dallas, Texas, in 1985, within three years it was North America's leading rental chain and, in the decade that followed, penetrated markets all over the world. Today, when screen entertainment is accessed largely via various streaming platforms, and when at the time of writing there is only one remain¬ing Blockbuster store in operation (in Bend, Oregon, USA), Blockbuster's ‘yellow and blue’ branding remains, for many, ‘iconic’: a nostalgic signifier of a bygone era.

In March 2021, in a somewhat ironic turn of events, the streaming service that usurped Blockbuster's empire in the mid-2000s, Netflix, released The Last Blockbuster(Taylor Morden, 2020), a documentary exploring Bend's quirky anachronism. The film is, in part, a human drama: an introspective look at how a group of passionate individuals, led by committed store manager Sandi Harding (affectionately nicknamed ‘Blockbuster Mom’), have shaped the Blockbuster store into a community space once again: a heritage site, which could, at any minute, close for good. But the film is also, to quote the Sundance Institute, an ‘entertaining tribute’ to the video shop era, and a film that happens to be another in a long list of documentaries and narrative features of the past few years that, in various ways, celebrate pop cultural touchstones of the 1980s and 1990s, of which video rental was one, and which Blockbuster, as The Last Blockbuster shows, continues to emblematise.

From its beginnings up to its demise, Blockbuster Inc., like the McDonald's fast-food chain, denoted capitalism of an ‘American’ style. Its global expansion was rapid, aggressive, uncompromising. Prior to the digital age when Blockbuster's fortunes started to wane, it was operating around 9,000 stores across the world in territories as vast as the US, Europe, Asia and Australia.

Type
Chapter
Information
Rewind, Replay
Britain and the Video Boom, 1978-1992
, pp. 1 - 16
Publisher: Edinburgh University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×