I lingered a little behind the others to have a stare at this house, which, as I have told you, stood on the site of my old dwelling.

It was a longish building with its gable ends turned away from the road, and long traceried windows coming rather low down set in the wall that faced us. It was very handsomely built of red brick with a lead roof; and high up above the windows there ran a frieze of figure subjects in baked clay, very well executed, and designed with a force and directness which I had never noticed in modern work before. The subjects I recognised at once, and indeed was very particularly familiar with them.

However, all this I took in in a minute; for we were presently within doors, and standing in a hall with a floor of marble mosaic and an open timber roof. There were no windows on the side opposite to the river, but arches below leading into chambers, one of which showed a glimpse of a garden beyond, and above them a long space of wall gaily painted (in fresco, I thought) with similar subjects to those of the frieze outside; everything about the place was handsome and generously solid as to material; and though it was not very large (somewhat smaller than Crosby Hall perhaps), one felt in it that exhilarating sense of space and freedom which satisfactory architecture always gives to an unanxious man who is in the habit of using his eyes.