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14 - Of the Making of Little Books: The Minor Works of William of Newburgh

from PART III - England in the Twelfth Century

Published online by Cambridge University Press:  25 October 2017

A. B. Kraebel
Affiliation:
Trinity University, San Antonio, Texas
Peter Jeffery
Affiliation:
Professor of Music, Princeton University.
Charlie Rozier
Affiliation:
AHRC Cultural Engagement Fellow, Department of History, Durham University
Sigbjorn Olsen Sonnesyn
Affiliation:
Post-doctoral fellow at the University of Bergen, Norway, and the University of Copenhagen, Denmark.
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Summary

Among the most celebrated historians of twelfth-century England, William of Newburgh (1135/6–c. 1200) has a long-standing reputation for bookishness. According to Rachel Fulton: ‘The world came to William in books, and it was through books that he was most comfortable making sense of it.’ Fulton follows the Rolls Series editor, Richard Howlett, in adducing a long list of sources used by William in his Historia Anglorum, including the histories of Symeon of Durham (d. after 1129) and Henry of Huntingdon (d. c. 1157). Yet there is good reason to doubt whether William's reading was as extensive as Howlett suggested – and this not just because of the apparently negligible size of Newburgh's library. Indeed, John Gillingham has demonstrated that many of William's alleged sources, Symeon and Henry included, almost certainly reached him second-hand, mediated through the compiling efforts of another Yorkshire historian, Roger of Howden (d. c. 1201). This dependence on another northern writer, one whose history could be found in the library at nearby Rievaulx (now London, Inner Temple, MS 511.2), suggests the local and limited nature of William's bibliographical resources. This sense of regional limitation is reinforced by his other major work, a Marian commentary on the Song of Songs. Though he could find in patristic writings ‘quomodo … vel in ecclesiam vel in excellentis meriti animam idem nuptiale carmen intelligi debeat’ (‘how this nuptial song should be understood either in regard to the Church or a soul of distinguished merit’), William was apparently unaware of the more recent Marian commentaries on the Song by such writers as Rupert of Deutz (d. c. 1129) or Honorius Augustodunensis (d. 1154). In light of these limitations, William's elaborate historical and exegetical writings are all the more impressive, revealing that even with a small library one can still be bookish.

Were he to be judged solely on the basis of these two major works, William might seem to present a split authorial personality. At the very least, his Historia and his commentary could almost be read as unrelated productions, each composed in response to a specific request by a different Cistercian official: the Historia for Ernald, abbot of Rievaulx (r. 1189–99), and the commentary for Walter, abbot of Byland (r. 1142–96).

Type
Chapter
Information
Medieval Cantors and their Craft
Music, Liturgy and the Shaping of History, 800-1500
, pp. 255 - 276
Publisher: Boydell & Brewer
Print publication year: 2017

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