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CHAPTER III - BOULOGNE—LUCERNE—MILAN (1861–1862)

Published online by Cambridge University Press:  07 September 2011

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Summary

“How differently young and old are affected by the words of some classic author, such as Homer or Horace. Passages, which to a boy are but rhetorical commonplaces, neither better nor worse than a hundred others which any clever writer might supply, which he gets by heart and thinks very fine, and imitates, as he thinks, successfully, in his own flowing versification, at length come home to him, when long years have passed, and he has had experience of life, and pierce him as if he had never before known them, with their sad earnestness and vivid exactness.

-Newman.

It was in the middle of June 1861 that Ruskin started for his long period of self-ordained exile. Before leaving home he performed an act of self-denial which signified the consecration of his energies to other than artistic pursuits. He stripped himself of many of his treasured drawings by Turner, and presented them to the Universities of Oxford and Cambridge. The collection of Turners which his father had amassed for him at Denmark Hill was by this time, as Ruskin had said to Lord Palmerston, one of the richest in the country. The prices paid for them, though they often shocked the old Scottish merchant, will seem almost incredibly small to collectors of the present day. The drawing of “Winchelsea,” given to Ruskin on his twenty-first birthday, had cost forty guineas.

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Publisher: Cambridge University Press
Print publication year: 2010
First published in: 1911

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