Bibliography
Published online by Cambridge University Press: 05 April 2015
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- Ibsen's HousesArchitectural Metaphor and the Modern Uncanny, pp. 215 - 222Publisher: Cambridge University PressPrint publication year: 2015
References
Alphabetization of the Scandinavian characters (Æ/Ä, Ø/Ö, and Å) will follow Norwegian convention and come at the end of the alphabet.
The city name for Oslo used before 1925, Kristiania, will be used when historically appropriate and with the anglicized spelling “Christiania”.
Titles punctuated with single quotation marks in originals have here been italicized instead.
American maximal capitalization has been used for all titles as well, regardless of the original.
“A.”, “Henrik Ibsens Drama Rosmersholm”, Aftenposten (Christiania), November 24, 1886
, Ibsens Samtidsskuespill: En Studie i Glasskapets Dramaturgi (Oslo: Universitetsforlaget, 1999)
, Gengangere ur Etisk Synpunkt: Föredrag Hållet i Stockholm Våren 1882 (Stockholm: Jos. Seligmann & Comp., 1882)
Aftenposten (Christiania), December 22, 1879, accessed at http://ibsen.nb.no/id/11112796.0
, Varulv om Natten: Folketro og Folkediktning hos Ibsen (Oslo: Gyldendal Norsk Forlag, 2003)
, “Studenten,” Andersens Samlede Værker, (ed.), 15 vols. (Copenhagen: Det Danske Sprogog Litteraturselskab/Gyldendal, 2003-), vol. 7, p. 101
, Stuk (Copenhagen: J. H. Schubothe, 1887)
, “Ibsen and Kierkegaard Revisited: The Dialectics of Despair in Brand,” Ibsen Studies 4:2 (2004), 176–90Google Scholar
, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, (trans.) (London: NLB, 1973)
, All That Is Solid Melts into Air: The Experience of Modernity (New York: Penguin, 1982)
, “Her Tales ikke Dukkehjem: Omkring Urpremieren på Ibsens Et Dukkehjem,” Norsk Dramatisk Årbok (1997), 10–17Google Scholar
, “Henrik Ibsens Et Dukkehjem paa Det kgl. Theater,” Ude og Hjemme 118 (January 1880), 148–53Google Scholar
, “Fra Kolde Hvide Vægge til Tegl og Træ,” in Om Hygge: Ti Kroniker (Copenhagen: Politikens Forlag, 1965), pp. 67–74
“Et Dukkehjem, Skuespil i 3 Akter af Henrik Ibsen,” Folkets Avis (Copenhagen), December 24, 1879Google Scholar
, Hvorledes Nora Kom Hjem Igjen: Et Efterspil (Christiania: Cammermeyer, 1881)
, “Indledning,” Samlede Verker (Hundreårsutgave), , , and (eds.), vol. 9 (Oslo: Gyldendal Norsk Forlag, 1932), pp. 9–48
“Bygmester Solness i Kjøbenhavn,” Bergens Tidende (Bergen), March 13, 1893
, “Dit og Dat,” Dagens Nyheder (Copenhagen), December 24, 1879
“c.,” “Kristiania Theater,” Aftenposten (Christiania), January 13, 1885
C. D. W. “Litteratur,” Post och Inrikes-Tidningar (Stockholm), January 2, 1882
, “Bygmester Solness,” Aftenposten (Christiania), January 4, 1893
and (eds.), Uncanny Modernity: Cultural Theories, Modern Anxieties (New York: Palgrave Macmillan, 2008)
Dagbladet (Christiania), January 21, 1880, accessedat http://ibsen.nb.no/id/ni57764.0
, Bergmannen og Byggmesteren: Henrik Ibsen som Lyriker (Oslo: Gyldendal, 1958)
and (trans.), Ibsen: Four Major Plays, vol. 1 (Lyme, NH: Smith and Kraus, 1995)
“Der Schluß von Ibsens Nora: Eine Aufklärung,” Das Litterarische Echo 2:13 (April 1, 1900), 969–70
, “Henrik Ibsen: Bygmester Solness,” To Litterœre Studier (Christiania: H. Aschehoug & Co., 1895), 24–75
“Din gamle Ven,” “Fra Tilskuerbænken (Brev til en Udenbys),” Aftenbladet (Christiania), January 28, 1880
, A Doll's House: Ibsen's Myth of Transformation (Boston: Twayne, 1991)
E. V., “Rosmersholm,” Dagbladet (Christiania), April 13, 1887
, “Ibsen i Italia,” Minner fra Nord og Syd (Oslo: Gyldendal Norsk Forlag, 1952), pp. 58–63
and , “Et Tilsvar,” Christiania Intelligenssedler (Christiania), November 8, 1884
and , “Journalistik og Søndagskritik,” Christiania Intelligenssedler (Christiania), November 20, 1884
and , “Seneste Efterretniger,” Christiania Intelligenssedler (Christiania), November 2, 1884
and (eds.), The New Uncanny: Tales of Unease ([Manchester]: Comma Press, 2008)
F., “Opførelsen af Et Dukkehjem,” Aftenbladet (Christiania), January 26, 1880
F-n, “Henrik Ibsens Gengangere paa Scenen,” Aftenposten (Christiania), August 25, 1883
, “Henrik Ibsens Gengangere paa Scenen,” Aftenposten (Christiania), August 25, 1883
, Henrik Ibsen: Masken (Oslo: Aschehoug, 2007)
(trans.), Ibsen: The Complete Major Prose Plays (New York: Plume, 1965)
Foreningen til Norske Fortidsmindesmerkers Bevaring, Aarsberetning for 1858 (Christiania: Carl C. Werner & Comp., 1859)
, “Some Character-Types Met with in Psychoanalytic Work (1916),” in (ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols. (London: Hogarth Press, 1953–74), vol. 4, pp. 309–36
, “The ‘Uncanny’ (1919),” in (ed.), The Standard Edition of the Complete Psychological Works of Sigmund Freud, 24 vols. (London: Hogarth Press, 1953–74), vol. 17, pp. 217–56
, Det Uhyggelige, (trans.), afterword by Nils Otto Steen and Steen Visholm, Rævens Sort Bibliotek 43 (Copenhagen: Forlaget Politisk Revy, 1998)
, Absorption and Theatricality: Painting and Beholder in the Age of Diderot (Chicago: University of Chicago Press, 1980)
(ed.), Biografisk Leksikon til Ibsens Brev – Med Tidstavle (Oslo: Senter for Ibsen-Studier, 2013)
Fœdrelandet (Copenhagen), December 22, 1879, accessed at http://ibsen.nb.no/id/9567.0
, “En Folkefiende af Henrik Ibsen: I-II,” Luthersk Ugeskrift (Christiania), December 16 and 23, 1882
“G.,” “Henrik Ibsen: Et Dukkehjem,” Bergens Aftenblad (Bergen), January 2, 1880
, “Henrik Ibsen: Gengangere,” Dagbladet (Christiania), December 14, 1881
, “Samfundets Støtter,” Fedraheimen (Christiania), November 3, 1877
“Gengangere,” Aftenposten (Christiania), December 14, 1881
“Gengangere,” Morgenbladet (Christiania), December 18, 1881
“Gengangere,” Throndhjems Stiftsavis (Trondheim), February 6, 1882
, “Ibsen's New Drama,” The Fortnightly Review 49 (new series) (January-June, 1891), 4–13Google Scholar
, “Das Leckt die Kuh Nicht ab: ‘Zufällige Gedanken’ zu Schriftlichkeit und Errinerungskultur der Strafgerichtsbarkeit,” in and (eds.), Kriminalitätsgeschichte: Beiträge zur Sozial- und Kulturgeschichte der Vormoderne (Konstanz: UVK, 2000), pp. 245–88
, Bibliografiske Oplysninger til Henrik Ibsens Samlede Vœrker (Copenhagen: Gyldendal, 1901)
, private correspondence to the author, April 7, 2008
, “Et Dukkehjem og Recensenterne: Kritiske Betragtninger,” Kristiansands Stiftsavis (Kristiansand), February 12, 1880
, Kampen omkring Nora: Et Dukkehjems Tilblivelse og dets Modtagelse 1879–80 (Copenhagen: Gyldendal, 1988)
, Melankoliens Spill: En Studie i Henrik Ibsens Siste Dramaer (Oslo: Universitetsforlaget, 2000)
“Henrik Ibsen og Kristiania Theater,” Dagbladet (Christiania), December 22, 1881
“H. H.,” “Kristiania Theater,” Dagbladet (Christiania), January 20, 1885
, “August Lindberg, Herman Bang, och en Historisk Teaterpremiäre i Helsingborg,” Kring Kärnan 16 (1986), 147–60Google Scholar
, “Unødvendig Bekymring,” Aftenposten (Christiania), January 8, 1893
, “Introduction,” in (ed.), Home and Homelessness in the Medieval and Renaissance World (Notre Dame, IN: University of Notre Dame Press, 2004), pp. 1–12
, “Paa Vidderne,” Illustreret Nyhedsblads Nytaarsgave for 1860, pp. 57–70
, Digte (Copenhagen: Gyldendal, 1871)
, , and (eds.), 17 vols. (Oslo: Aschehoug, 2005–10)
, (Hundreårsutgave), , , and (eds.), 21 vols. (Oslo: Gyldendal Norsk Forlag, 1928–57)
, “Norwegian Women Writers,” in (ed.), A History of Norwegian Literature, vol. 2 of A History of Scandinavian Literatures (Lincoln: University of Nebraska Press, 1993), pp. 349–7
, “Literaturtidende,” Dagbladet (Christiania), November 16, 1884
, Cultural Semantics: Keywords of Our Time (Amherst: University of Massachusetts Press, 1998)
, “Om Sammenhængen mellem Religiøs, Sexuel og Social Tematik i Ibsens Bygmester Solness,” in (ed.), Tekst/Historie: Bidrag til Historisering af Tekstlœsning i Gymnasiet (Copenhagen: Samlerens Forlag, 1980), pp. 39–60
“John Gabriel Borkman paa Kristiania Teater,” Dagbladet (Christiania), January 26, 1897
, “Henrik Ibsen: En Folkefiende,” Aftenposten (Christiania), November 29-December 6, 1882
, “Kristiania Theater,” Christiania Intelligenssedler (Christiania), January 13, 1885
, Henrik Ibsen 1828–1888: Et Literœrt Livsbillede (Copenhagen: Gyldendalske Boghandels Forlag, 1888)
, Henrik Ibsen og Hans Vœrker (Christiania and Copenhagen: Alb. Cammermeyers Forlag, 1892)
and , Fra Aalsgaard: Om Ibsens Nora og en Drengs Erindringer, Egnshistoriske Beretninger 18 (Aalsgaard, Denmark: Hellebæk-Aalsgaard Egnshistoriske Forening, 1985)
, Henrik Ibsens Heroisme: Frå Brand til Når Vi Døde Vågner (Oslo: Gyldendal, 2002)
, “Ibsens Bog,” Dagbladet (Christiania), December 12, 1894
, “The Puppet Theater,” Selected Writings, (ed. and trans.) (Indianapolis, IN: Hackett Publishing Co., 1997), pp. 411–16
, “Über das Marionettentheater,” Berliner Abendblætter (Berlin), December 12–5, 1810
and (eds.), Norsk Riksmælsordbok (Oslo: Aschehoug, 1937)
, The Life of Ibsen, 2 vols. (New York: W. W. Norton & Co., 1931)
“Korrespondance til Aftenposten,” Aftenposten (Christiania), December 24, 1879
, “Den Norske Maaned: Rosmersholm,” Urd: Illust. Ugeblad for Kvinden og Hjemmet 12 (September 19, 1908), 448–49Google Scholar
, Danske Sagn som De har Lydt i Folkemunde, 7 vols. (Copenhagen: Woels Forlag, 1928–39)
“Kristiania Theater. Vildanden,” Aftenposten (Christiania), September 24, 1893
, Metaphor: A Practical Introduction, 2nd ed. (New York: Oxford University Press, 2010)
and , Metaphors We Live By (Chicago: University of Chicago Press, 1980)
, “Fascinasjon og Uhygge: Kunsten og Dødensom Kvinne i Ibsens Drama Når Vi Døde Våguer,” Tidskrift för Litteraturvetenskap 31.1 (2002), 28–50Google Scholar
, “Kristiania Teater: Et Dukkehjem,” Christiania Intelligenssedler (Christiania), January 22, 1880
(trans.), Six Plays by Henrik Ibsen (New York: Modern Library, 1951)
, “Skulptur som intertekst i Når Vi Døde Vågner,” Agora: Journal for Metafysisk Spekulasjon 2–3 (1993), 26–32Google Scholar
“Literatur: Gjengangere [sic],” Aftenbladet (Christiania), December 19, 1881
, Das Deutsche Drama (Hamburg: Verlag von Leopold Voss, 1894
, “Marx and the Problem of Ideological Decay,” excerpted in (ed.), Critical Essays on Henrik Ibsen (Boston: G. K. Hall & Co., 1987), pp. 95–99
“M-.,” “Lykken Bedre end Forstanden: Et Efterspil,” Aalesunds Blad (Ålesund, Norway), April 30-May 21, 1880
, “The Destruction of Rome,” in (ed.), Ibsen andthe Arts: Painting–Sculpture–Architecture, Acta Ibseniana I (Oslo: Centre for Ibsen Studies, 2002), pp. 151–58
, Aus der Frankfurter Theaterchronik (1889–1907), vol. 2 (Berlin: Egon Fleischel & Co., 1908)
, “Storia della Colonna Infama,” in I Promesi Sposi (Milano: Tip. Guglielmini e Radaelli, 1840), pp. 747–864
(trans.), Four Major Plays (New York: Oxford University Press, 1981)
, “Revaluations of Ibsen,” in (ed.), Discussions of Henrik Ibsen (Boston: D. C. Heath and Company, 1962), pp. 19–27
, Ibsen: A Biography (Garden City, NY: Doubleday & Co., Inc., 1971)
, “Home and Homelessness in the Middle of Nowhere,” in (ed.), Home and Homelessness in the Medieval and Renaissance World (Notre Dame, IN: University of Notre Dame Press, 2004), pp. 125–42
, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy (New York: Oxford University Press, 2006)
, “Ibsens Fruen fra Havet,” Aftenposten (Christiania), December 5, 1888
, “The Analytic Theater: Freud and Ibsen,” The Scandinavian Psychoanalytic Review 13 (1990), 112–28Google Scholar
, “Den Forste Opførelse,” Vor Tid (Copenhagen), August 26, 1883
Norsk|Riksmålsordbok, 2 vols. (Oslo: Aschehoug, 1937)
“,” “Samfundets Støtter paa Engelsk Grund: Korrespondance fra London til Illustreret Tidende,” Illustreret Tidende (December 26, 1880), 178–79Google Scholar
, “The Fall of the House of Usher,” in (ed.), The Collected Works of Edgar Allan Poe, 3 vols. (Cambridge, MA: Harvard University Press, 1978), vol. 2, pp. 392–421
, L'Art de Demain: Vers l'Harmonie Intégrale (Paris: Perrin, 1904)
, L'Habitation Salubre et à Bon Marché (Paris: Librairie Générale de l'Architecture et des Arts Décoratifs, 1908)
, Henry Gibson/Henrik Ibsen: Den Provinsielle Verdensdikteren (Oslo: J. W. Cappelens Forlag, 2006)
, Theatrical Space in Ibsen, Chekhov, and Strindberg: Public Forms of Privacy, Theater and Dramatic Studies 32 (Ann Arbor, MI: UMI Research Press, 1986)
, Change Mummified: Cinema, Historicity, Theory (Minneapolis: University of Minnesota Press, 2001)
, “En Dansk Ibsenopførelse,” Kunst og Dilettantisme paa det Nordiske Teater: Nogle Bemœrkninger om Drama og Skuespilkunst (Copenhagen: Holger Ferlovs Forlag, 1906)
, The Uncanny (Manchester: Manchester University Press, 2003)
, Den Umulige Friheten (Oslo: Gyldendal, 2006)
S-e., “Hvad aär Ibsens Mening i Rosmersholm? Ett Tolkningsförsök,” Aftonbladet (Stockholm), January II, 1887
, Living Pictures, Missing Persons: Mannequins, Museums, and Modernity (Princeton, NJ: Princeton University Press, 2003)
, private correspondence to the author, July, 2008
, “Two Legends about St. Olaf, The Master Builder: A Clue to the Dramatic Structure of Henrik Ibsen's Bygmester Solness,” Edda 54.4 (1967), 263–7Google Scholar
, Et Hjem for Mennesker: En Menneskeskildring i Tre Handlinger (Christiania: Aschehoug, 1901)
(trans.), Four Great Plays (New York: Bantam Books, 1971)
, Questioning the Father: From Darwin to Zola, Ibsen, Strindberg, and Hardy (Stanford, CA: Stanford University Press, 1999)
, Om Henrik Ibsen: Fruen fra Havet og Personerne deri (Kristiania: Albert Cammermeyer, 1889)
, “En Betragtning over Et Dukkehjem,” Dagbladet (Christiania), January 9, 1880
, “Mere om Gengangere,” Dagbladet (Christiania), April 27, 1882
, Great Reckonings in Little Rooms: On the Phenomenology of Theater (Berkeley: University of California Press, 1992)
Sæther|Astrid, Suzannah: Fru Ibsen (Oslo: Gyldendal Norsk Forlag, 2008)
, “Henrik Ibsens Brand: Illustrasjon på en Teologisk Suspensjon av det Etiske?” Edda (1999), 63–70Google Scholar
, “Naar Vi Døde Vaagner,” Norsk Skoletidende: Tillægshefte 1 (1900), 5–60
“Teater, Kunst og Literatur: Kristiania Theater,” Dagen (Christiania), April 6, 1887
, Ibsen's Women (New York: Cambridge University Press, 1997)
“Theatret: Rosmersholm,” Bergens Tidende (Bergen), January 20, 1887
, “Det Kongelige Theater: Et Dukkehjem, Skuespil i Tre Acter af Henrik Ibsen,” Illustreret Tidende 21:1057 (December 28, 1879), 145, 148Google Scholar
, “Det Kongelige Theater: Samfundets Støtter, Skuespil i Fire Akter af Henrik Ibsen,” Illustreret Tidende (November 25, 1877), 81–82Google Scholar
, “Darwin, J. P. Jacobsen og Ibsen,” Arr: Idehistorisk Tidsskrift 10.4–11.1 (1998–99), 54–64Google Scholar
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, The Architectural Uncanny: Essays in the Modern Unhomely (Cambridge, MA: The MIT Press, 1992)
, “Ibsens Nya Stycke,” Göteborgs handels- och sjöfartstidning (Gothenburg), December 15, 1881Google Scholar
(trans.), Ghosts and Other Plays (Baltimore: Penguin Books, Inc., 1973)
, Noras Systrar: Nordisk Dramatik och Teater 1879–99 (Stockholm: Carlssons Bokförlag, 2000)
, “Oppstandelsen som Forførerisk Morder,” in (ed.), Livet på Likstrå: Henrik Ibsens Når vi døde vågner (Oslo: Landslaget for Norskundervisning and Cappelen Akademisk Forlag, 1999), pp. 94–121
, Theatrical and Narrative Space: Studies in Ibsen, Strindberg, and J. P. Jacobsen (Aarhus, Denmark: Aarhus University Press, 1998)