Homer’s technique of oral composition is highly traditional and tightly regulated, to the point that it presents us with a paradox: how can Homer be regarded as such a great poet, when so much of what he did was not original, but mechanical? While past critics have argued that Homer achieved greatness despite the mechanicity of his technique (and thus trascended it), this book explores the hypothesis that the mechanicity of the technique (and particularly the formal features of formularity, meter, and dialect) should be seen as adaptive features that enabled Homer’s greatness.