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Published online by Cambridge University Press:  16 August 2019

Heather Hirschfeld
University of Tennessee
Philip Edwards
University of Liverpool
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Prince of Denmark
, pp. 250 - 252
Publisher: Cambridge University Press
Print publication year: 2019

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Literary Studies

Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays, ‘Hamlet’ to ‘The Tempest’. New York: Routledge, 1992.Google Scholar
Charnes, Linda. Hamlet’s Heirs: Shakespeare and the Politics of a New Millennium. New York: Routledge, 2006.CrossRefGoogle Scholar
De Grazia, Margreta. ‘Hamlet’ without Hamlet. Cambridge University Press, 2007.Google Scholar
Edwards, Philip. ‘Tragic Balance in Hamlet’, Shakespeare Survey 36 (1983), 4352.Google Scholar
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Farley-Hills, D., ed. Critical Responses to ‘Hamlet’ 1600–1900, 4 vols., 1995–9.Google Scholar
Foakes, R. A. ‘Hamlet’ Versus ‘Lear’: Cultural Politics and Shakespeare’s Art. Cambridge University Press, 1993.CrossRefGoogle Scholar
Frye, Roland Mushat. The Renaissance ‘Hamlet’: Issues and Responses in 1600. Princeton University Press, 1988.Google Scholar
Garber, Marjorie. ‘Hamlet’, in Shakespeare After All. New York: Anchor Books, 2004, 466505.Google Scholar
Granville-Barker, Harley. Prefaces to Shakespeare: ‘Hamlet’. Princeton University Press, 1946.Google Scholar
Greenblatt, Stephen. Hamlet in Purgatory. Princeton University Press, 2001.Google Scholar
Jenkins, H.Hamlet Then Till Now’, Shakespeare Survey 18 (1965), 3445.Google Scholar
Jump, John D. Shakespeare: ‘Hamlet’: A Selection of Critical Essays. London: Macmillan, 1968.Google Scholar
Kerrigan, John. Revenge Tragedy: From Aeschylus to Armageddon. Oxford: Clarendon Press, 1996.Google Scholar
Kerrigan, William. Hamlet’s Perfection. Baltimore, MD: Johns Hopkins University Press, 1994.Google Scholar
Kinney, Arthur, ed. ‘Hamlet’: New Critical Essays. New York and London: Routledge, 2002.Google Scholar
Levin, Harry. The Question of ‘Hamlet’. New York: Oxford University Press, 1959.Google Scholar
Mack, Maynard, ‘The World of Hamlet’, The Yale Review 41 (1951–2), 502–23.Google Scholar
Shapiro, James. 1599: A Year in the Life of William Shakespeare. New York: Faber & Faber, 2005.Google Scholar
Showalter, Elaine. ‘Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism’, in Shakespeare and the Question of Theory, ed. Parker, Patricia and Hartman, Geoffrey. London: Methuen, 1985, 7794.Google Scholar
Weimann, Robert. ‘Hamlet and the Purposes of Playing’, in Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre, ed. Hughes, Helen and West, William. Cambridge University Press, 2000, 151–79.CrossRefGoogle Scholar
Wilson, John Dover. What Happens in ‘Hamlet’. Cambridge University Press, 1935.Google Scholar

Textual Studies

Bourus, Terri. Young Shakespeare’s Young Hamlet: Print, Piracy, and Performance. New York: Palgrave Macmillan, 2014.CrossRefGoogle Scholar
Clayton, Thomas, ed. The ‘Hamlet’ First Published (Q1, 1603): Origins, Form, Intertextualities. Newark: University of Delaware Press, 1992.Google Scholar
Erne, Lukas. Shakespeare as Literary Dramatist. Cambridge University Press, 2003.Google Scholar
Lesser, Zachary. Hamlet after Q1: An Uncanny History of the Shakespearean Text. Philadelphia: University of Pennsylvania Press, 2015.Google Scholar
Marino, James. Owning William Shakespeare: The King’s Men and Their Intellectual Property. Philadelphia: University of Pennsylvania Press, 2011.CrossRefGoogle Scholar
Menzer, Paul. The Hamlets: Cues, Qs, and Remembered Texts. Newark: University of Delaware Press, 2008.Google Scholar
Stern, Tiffany. ‘Sermons, Plays and Note-takers: Hamlet Q1 as a “Noted” Text’, Shakespeare Survey 66 (2013), 123Google Scholar
Werstine, Paul. ‘The Textual Mystery of Hamlet’, SQ 39.1 (1988), 126.CrossRefGoogle Scholar

Performance History and Adaptation Studies

Bevington, David. Murder Most Foul: Hamlet Through the Ages. Oxford University Press, 2011.CrossRefGoogle Scholar
Burnett, Mark Thornton. ‘“I see my father” in “my mind’s eye”: Surveillance and the Filmic Hamlet’, in Screening Shakespeare in the Twenty-first Century, ed. Thornton Burnett, Mark and Wray, Ramona. Edinburgh University Press, 2006, 3152.CrossRefGoogle Scholar
Dawson, Anthony B. Shakespeare in Performance: ‘Hamlet’. Manchester University Press, 1995.Google Scholar
Escolme, Bridget. ‘The Point or the Question: Text, Performance, Hamlet’, in Talking to the Audience: Shakespeare, Performance, Self. New York; Routledge, 2005, 5394.Google Scholar
Gurr, And rew, and Ichikawa, Mariko, ‘The Early Staging of Hamlet’, in Staging in Shakespeare’s Theatres. Oxford University Press, 2000, 121–62.Google Scholar
Hapgood, Robert. ‘Introduction’, in Hamlet, Prince of Denmark. Shakespeare in Production Series. Cambridge University Press, 1999, 196.Google Scholar
Howard, Tony. Women as Hamlet: Performance and Interpretation in Theatre, Film, and Fiction. Cambridge University Press, 2007.Google Scholar
Kennedy, Dennis, ed. Foreign Shakespeare: Contemporary Performance. Cambridge University Press, 1993.Google Scholar
Kliman, Bernice W. ‘Hamlet’: Film, Television, and Audio Performance. London and Toronto: Toronto University Press, 1988.Google Scholar
Lavender, And y. Hamlet in Pieces: Peter Brook, Robert La Page, Richard Wilson. London: Nick Hern, 2001.Google Scholar
Litvin, Margaret. Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost. Princeton University Press, 2011.Google Scholar
Maher, Mary Z. Modern Hamlets and their Soliloquies. University of Iowa Press, 1992.Google Scholar
Mander, Raymond, and Mitchenson, Joe. ‘Hamlet’ through the Ages: A Pictorial Record from 1709. London: Rockliff, 1952.Google Scholar
Mills, John A. ‘Hamlet’ on Stage: The Great Tradition. Westport, CT: Greenwood Press, 1985.Google Scholar
Peterson, Kaara L., and Williams, Deanne. The Afterlife of Ophelia. New York: Palgrave Macmillan, 2012.CrossRefGoogle Scholar
Rosenberg, Marvin. The Masks of ‘Hamlet’. Newark: University of Delaware Press, 1992.Google Scholar
Scofield, Martin. The Ghosts of ‘Hamlet’: The Play and Modern Writers. Cambridge University Press, 1980.Google Scholar
Shattuck, Charles Harlen. The Shakespeare Promptbooks: A Descriptive Catalogue. Urbana: University of Illinois Press, 1965.Google Scholar
White, R. S. Avant-Garde Hamlet: Text, Stage, Screen. Madison, NJ: Fairleigh Dickinson University Press, 2015.Google Scholar


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