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Introduction

Published online by Cambridge University Press:  12 August 2019

Jane Desmarais
Affiliation:
Goldsmiths, University of London
David Weir
Affiliation:
The Cooper Union for the Advancement of Science and Art
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Summary

In keeping with the nature of the Cambridge Critical Concepts series, the introduction establishes decadence as a concept. We show how the concept emerges from a combination of etymology and history, and how decadence cuts across and calls into question traditional literary categories, such as genre and periodization. We articulate the relevance of decadence to recent literary interests, such as gender politics and queer theory. Finally, we explain the rationale for the organization of the volume as an effort to ‘scale up’ and reset the parameters of decadence as a concept; preview the individual contributions to the collection; and clarify the structure of the volume: the origins of the concept of decadence, its development through nineteenth-century fields, and its application to various twentieth-century disciplines and literary modalities. The introduction concludes with commentary on the contemporary resonance of decadence today.

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Chapter
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Publisher: Cambridge University Press
Print publication year: 2019

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References

Bourget, Paul (2009). The Example of Baudelaire. Nancy O’Connor, trans., New England Review, 30(2), 90104.Google Scholar
Drake, Richard (1982). Decadence, Decadentism and Decadent Romanticism in Italy: Toward a Theory of Decadence. Journal of Contemporary History, 17, 6992.Google Scholar
Gautier, Théophile (1903). Charles Baudelaire. In vol. XXIII of The Complete Works of Théophile Gautier, de Sumichrast, S. C., ed. and trans., New York: George D. Sproul, pp. 17126.Google Scholar
Gourmont, Remy de (1966). Stéphane Mallarmé and the Idea of Decadence. In Burne, Glenn S., ed. and trans., Selected Writings, Ann Arbor: University of Michigan Press, pp. 6776.Google Scholar
Nietzsche, Friedrich (1967). ‘The Birth of Tragedy’ and ‘The Case of Wagner,’ Walter Kaufmann, trans., New York: Random House.Google Scholar

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