Book contents
- Frontmatter
- Contents
- ILLUSTRATIONS
- Preface
- The Life of Shakespeare
- The Theatres and Companies
- Shakespeare's Dramatic Art
- Shakespeare the Poet
- Shakespeare and Elizabethan English
- Shakespeare and Music
- The National Background
- The Social Background
- Shakespeare's Sources
- Shakespeare and the Drama of his Time
- Shakespeare's Text
- Shakespearian Criticism
- Shakespearian Scholarship
- Shakespeare in the Theatre from the Restoration to the Present Time
- Reading List
- Appendices
- Index
- Plate section
The National Background
Published online by Cambridge University Press: 05 August 2012
- Frontmatter
- Contents
- ILLUSTRATIONS
- Preface
- The Life of Shakespeare
- The Theatres and Companies
- Shakespeare's Dramatic Art
- Shakespeare the Poet
- Shakespeare and Elizabethan English
- Shakespeare and Music
- The National Background
- The Social Background
- Shakespeare's Sources
- Shakespeare and the Drama of his Time
- Shakespeare's Text
- Shakespearian Criticism
- Shakespearian Scholarship
- Shakespeare in the Theatre from the Restoration to the Present Time
- Reading List
- Appendices
- Index
- Plate section
Summary
Tennyson in one of his less happy phrases sang of ‘the spacious times of great Elizabeth’, and panegyrists of the age of Shakespeare have ever since been at pains to stress its gay colours and sombre contrasts, as if the men of that generation differed from all others. Even Lytton Strachey, who was hardly to be reckoned among the romantics, wrote:
by what art are we to worm our way into those strange spirits, those even stranger bodies? The more clearly we perceive it, the more remote that singular universe becomes. With very few exceptions–possibly with the single exception of Shakespeare–the creatures in it meet us without intimacy; they are exterior visions, which we know but do not truly understand. It is, above all, the contradictions of the age that baffle our imagination and perplex our intelligence. Human beings, no doubt, would cease to be human beings unless they were inconsistent; but the inconsistency of the Elizabethans exceeds the limits permitted to man. Their elements fly off from one another wildly; we seize them; we struggle hard to shake them together into a single compound, and the retort bursts. How is it possible to give a coherent account of their subtlety and their naivete, their delicacy and their brutality, their piety and their lust?
Such romantic exaggeration arises from the easy mistake of judging a generation by its exceptional men and books, and not by the average.
- Type
- Chapter
- Information
- Companion to Shakespeare Studies , pp. 163 - 186Publisher: Cambridge University PressPrint publication year: 1934