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Part XXVIII - Shakespeare and Media History

Published online by Cambridge University Press:  17 August 2019

By
Katherine Rowe
Edited by
Bruce R. Smith
Edited in association with
Katherine Rowe
With
Ton Hoenselaars ,
Akiko Kusunoki ,
Andrew Murphy  and
Aimara da Cunha Resende
Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Keywords

adaptationadaptation as a global processanimationappropriationaudienceaudiodocumentaryfilmInternetmediamedia convergenceplay-within-the-filmradioreceptionrecyclingremediationrevivalscreentelevisiontimed mediavideoBBCBBC Radiobroadcast dramaGielgud, ValHenry IV, Part 1Henry IV, Part 2Julius Caesarradioradio receptionradio historyTwelfth Nightadaptationbroadcast drama“high” and “low” culturehighbrowlowbrowradioradio audiencesremediationUSAWelles, Orsonaudio recordingBooth, Edwincompact disc (CD)complete worksGielgud, Sir JohnIrving, Sir HenryMarlowe SocietyphonographphonographyradioRehan, AdaTerry, EllenTree, Herbert BeerbohmWelles, Orsonaccessdemocratizationlivenessmass audiencesmass mediaadaptationaudienceBranagh, KennethcinemaDVDfilmLuhrmann, BazmoviesmultimediamultiplexOlivier, Laurencesilent filmtheaterZeffirelli, Francofilmforeign filmglobalglobalizationinternational filmnon-Anglophone filmShakespearesubtitletransnationaltransnationalismworld cinemaadaptationcinemacross-dressingfilmfilm-within-the-filmgender performanceglobalglocalheritageidentity politicsmasculinitymoviesmusicalparodyplay-within-the-filmplay-within-the-playqueerrehearsal-within-the-filmremediationShakespeare in Lovespin-offstage beautytheatricalitytransnationalactuality representationauthenticityauthorityBardolatrybiographybiopiccinema véritédirect cinema realismdocumentaryfilmradioreceptionrehabilitationspectatortelevisionacting Shakespearepoetry and performancequoting Shakespearesexuality (homosexuality, bisexuality)Shakespeare on filmShakespeare onlineShakespeare on televisionShakespeare on videoShakespeare’s biographySonnetsteaching shakespeareadaptationanimated typographyanimationanimécartoonsclaymationcutout animationDisney, WaltEisenstein, Sergeystop actionApril 23BeatlescinemafilmGoogleHamletmediatechnologiesYouTubevideo(s)
Type
Chapter
Information
The Cambridge Guide to the Worlds of Shakespeare , pp. 1907 - 1974
Publisher: Cambridge University Press
Print publication year: 2016

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References

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Further reading

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Further reading

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Further reading

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Further reading

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BUFVC International Database of Shakespeare on Film, Television, and Radio. www.bufvc.ac.uk/databases/shakespeare/index.html.Google Scholar
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Further reading

Cartelli, Thomas, and Rowe, Katherine. New Wave Shakespeare on Screen. Cambridge: Polity, 2007.Google Scholar
Donaldson, Peter S. “‘All which it will inherit’”: Shakespeare, Globes and Global Media.” Shakespeare Survey 52 (1999): 183–200.Google Scholar
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Further reading

BUFVC International Database of Shakespeare on Film, Television, and Radio. www.bufvc.ac.uk/databases/shakespeare/index.html.Google Scholar
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Further reading

Boose, Lynda E., and Burt, Richard, eds. Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. London: Routledge, 1997.Google Scholar
Burnett, Mark, and Wray, Roberta, eds. Screening Shakespeare in the Twenty-first Century. Edinburgh: Edinburgh UP, 2006.Google Scholar
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Further reading

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Buchanan, Judith. Shakespeare on Silent Film: An Excellent Dumb Discourse. Cambridge: Cambridge University Press, 2009.Google Scholar
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Burnett, Mark Thornton, and Wray, Ramona, eds. Screening Shakespeare in the Twenty-first Century. Edinburgh: Edinburgh UP, 2006.Google Scholar
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Further reading

Bardbox channel. www.youtube.com/playlist?list=PL302E6A0BBA3EF29E.Google Scholar
Bardbox 2 channel. www.youtube.com/playlist?list=PL33FA48C492A976F3.Google Scholar
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Further reading

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O’Neill, Stephen. Shakespeare and YouTube: New Media Forms of the Bard. London: Arden Shakespeare, 2014.Google Scholar
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