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Introduction

from Part VI - Visual Arts

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Gent, Lucy, and Llewellyn, Nigel, eds. Albion’s Classicism: The Visual Arts in Britain 1550–1660. New Haven: Yale UP, 1995.Google Scholar
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Further reading

Archer, Jayne E., Goldring, Elizabeth, and Knight, Sarah, eds. The Progresses, Pageants and Entertainments of Queen Elizabeth I. Oxford: Oxford UP, 2007.Google Scholar
Cooper, Tarnya. Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales. New Haven: Yale UP, 2012.Google Scholar
Fumerton, Patricia. Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament. Chicago: U of Chicago P, 1991.Google Scholar
Gent, Lucy, and Llewellyn, Nigel, eds. Renaissance Bodies: The Human Figure in English Culture c. 1540–1660. London: Reaktion, 1990.Google Scholar
Glanville, Philippa. Silver in Tudor and Early Stuart England: A Social History and Catalogue of the National Collection. London: Victoria and Albert Museum, 1990.Google Scholar
Hind, Arthur M. Engraving in England in the Sixteenth and Seventeenth Centuries. Cambridge: Cambridge University Press, 1952.Google Scholar
Orgel, Stephen, and Strong, Roy. Inigo Jones: The Theatre of the Stuart Court. London: Sotheby Parke Benet, 1973.Google Scholar
Strong, Roy. The Cult of Elizabeth: Elizabethan Portraiture and Pageantry. London: Pimlico, 1999.Google Scholar
Strong, Roy. The English Renaissance Miniature. London: Thames and Hudson, 1983.Google Scholar

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