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from Part VI - Visual Arts

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
University of Southern California
Katherine Rowe
Smith College, Massachusetts
Ton Hoenselaars
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Trinity College Dublin
Aimara da Cunha Resende
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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Sources cited

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Gent, Lucy. Picture and Poetry 1560–1620: Relations between Literature and the Visual Arts in the English Renaissance. Leamington Spa: James Hall, 1981.Google Scholar
Gent, Lucy, and Llewellyn, Nigel, eds. Albion’s Classicism: The Visual Arts in Britain 1550–1660. New Haven: Yale UP, 1995.Google Scholar
Glanville, Philippa. “The Crafts and Decorative Arts.” The Cambridge Cultural History of Britain. Vol. 3: Sixteenth-Century Britain. Ed. Ford, Boris. Cambridge: Cambridge University Press, 1992. 269300.Google Scholar
Hearn, Karen, ed. Dynasties: Painting in Tudor and Jacobean England 1530–1630. London: Tate, 1995.Google Scholar
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Marr, Alexander. “‘A Duche graver sent for’: Cornleis Boel, Salomon de Caus, and the production of La perspective auec la raison des ombres et miroirs.” Prince Henry Revived: Image and Exemplarity in Early Modern England. Ed. Wilks, Timothy. London: Paul Holberton, 2007. 212–38.Google Scholar
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Further reading

Archer, Jayne E., Goldring, Elizabeth, and Knight, Sarah, eds. The Progresses, Pageants and Entertainments of Queen Elizabeth I. Oxford: Oxford UP, 2007.Google Scholar
Cooper, Tarnya. Citizen Portrait: Portrait Painting and the Urban Elite of Tudor and Jacobean England and Wales. New Haven: Yale UP, 2012.Google Scholar
Fumerton, Patricia. Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament. Chicago: U of Chicago P, 1991.Google Scholar
Gent, Lucy, and Llewellyn, Nigel, eds. Renaissance Bodies: The Human Figure in English Culture c. 1540–1660. London: Reaktion, 1990.Google Scholar
Glanville, Philippa. Silver in Tudor and Early Stuart England: A Social History and Catalogue of the National Collection. London: Victoria and Albert Museum, 1990.Google Scholar
Hind, Arthur M. Engraving in England in the Sixteenth and Seventeenth Centuries. Cambridge: Cambridge University Press, 1952.Google Scholar
Orgel, Stephen, and Strong, Roy. Inigo Jones: The Theatre of the Stuart Court. London: Sotheby Parke Benet, 1973.Google Scholar
Strong, Roy. The Cult of Elizabeth: Elizabethan Portraiture and Pageantry. London: Pimlico, 1999.Google Scholar
Strong, Roy. The English Renaissance Miniature. London: Thames and Hudson, 1983.Google Scholar

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