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Introduction

from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

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Further reading

Baugh, Christopher. Theatre, Performance and Technology: The Development of Scenography in the Twentieth Century. Basingstoke: Palgrave Macmillan, 2005.Google Scholar
Beckerman, Bernard. Shakespeare at the Globe, 1599–1609. New York: Macmillan, 1962.Google Scholar
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Cohen, Adam Max. Shakespeare and Technology: Dramatizing Early Modern Technological Revolutions. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
Dessen, Alan C. Elizabethan Drama and the Viewer’s Eye. Chapel Hill: U of North Carolina P, 1977.Google Scholar
Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984.CrossRefGoogle Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Joseph, Bertrand L. Elizabethan Acting. 2nd ed. London: Oxford UP, 1964.Google Scholar
Sawday, Jonathan. Engines of the Imagination: Renaissance Culture and the Rise of the Machine. New York: Routledge, 2007.CrossRefGoogle Scholar
Southern, Richard. The Seven Ages of the Theatre. London: Faber, 1962.Google Scholar

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