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from Part XX - Changing Technologies of Stage Performance

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
University of Southern California
Katherine Rowe
Smith College, Massachusetts
Ton Hoenselaars
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Trinity College Dublin
Aimara da Cunha Resende
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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Sources cited

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Further reading

Baugh, Christopher. Theatre, Performance and Technology: The Development of Scenography in the Twentieth Century. Basingstoke: Palgrave Macmillan, 2005.Google Scholar
Beckerman, Bernard. Shakespeare at the Globe, 1599–1609. New York: Macmillan, 1962.Google Scholar
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Cohen, Adam Max. Shakespeare and Technology: Dramatizing Early Modern Technological Revolutions. Basingstoke: Palgrave Macmillan, 2006.CrossRefGoogle Scholar
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Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984.CrossRefGoogle Scholar
Dessen, Alan C. Recovering Shakespeare’s Theatrical Vocabulary. Cambridge: Cambridge University Press, 1995.CrossRefGoogle Scholar
Joseph, Bertrand L. Elizabethan Acting. 2nd ed. London: Oxford UP, 1964.Google Scholar
Sawday, Jonathan. Engines of the Imagination: Renaissance Culture and the Rise of the Machine. New York: Routledge, 2007.CrossRefGoogle Scholar
Southern, Richard. The Seven Ages of the Theatre. London: Faber, 1962.Google Scholar

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