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Introduction

from Part XXVII - Shakespeare and the Visual Arts

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Kaplan, Paul D.The Earliest Images of Othello.” Shakespeare Quarterly 39.2 (summer 1988): 171–86.CrossRefGoogle Scholar
Schlueter, June. “Rereading the Peacham Drawing.” Shakespeare Quarterly 50.2 (summer 1999): 171–84.Google Scholar

Further reading

Ashton, Geoffrey. Shakespeare and British Art. Exhibition Catalogue. New Haven: Yale UP, 1981.Google Scholar
Cooper, Anthony Ashley (third Earl of Shaftesbury). A Notion of the Historical Draught or Tablature of the Judgement of Hercules, according to Prodicus, lib II Xen[ophon] de Mem[orabilia] Soc[ratis]. London: A. Baldwin, 1713.Google Scholar
Friedman, Winifred H. Boydell’s Shakespeare Gallery. London: Garland, 1976.Google Scholar
Martineau, Jane, et al. Shakespeare in Art. Exhibition Catalogue. London: Merrell, 2003.Google Scholar
Merchant, W. Moelwyn. Shakespeare and the Artist. London: Oxford UP, 1958.Google Scholar
Oakley, Lucy. Unfaded Pageant: Edwin Austin Abbey’s Shakespearean Subjects. Exhibition Catalogue. New York: Columbia University, 1994.Google Scholar
Pressly, William L. A Catalogue of Paintings in the Folger Shakespeare Library: “As Imagination Bodies Forth.” New Haven: Yale UP, c. 1993.Google Scholar
Scolnicov, Hanna. “Chagall’s Tempest: An Autobiographical Reading.” Shakespeare Survey 62 (2009): 151–61.Google Scholar
Sillars, Stuart. The Illustrated Shakespeare, 1709–1875. Cambridge: Cambridge University Press, 2006.Google Scholar
Sillars, Stuart. Painting Shakespeare; The Artist as Critic, 1720–1820. Cambridge: Cambridge University Press, 2006.Google Scholar
Sillars, Stuart. “Reading Illustrated Editions: Methodology and the Limits of Interpretation.” Shakespeare Survey 62 (2009): 162–81.Google Scholar
Studing, Richard. Shakespeare in American Painting: A Catalogue from the Late Eighteenth Century to the Present. Cranbury: Associated UP, 1993.Google Scholar

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