Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-swr86 Total loading time: 0 Render date: 2024-07-22T15:37:41.253Z Has data issue: false hasContentIssue false

6 - Polish Spectres in our House: Revisiting the Nordic Metaphor of the Home

Published online by Cambridge University Press:  24 April 2021

Anna Estera Mrozewicz
Affiliation:
Adam Mickiewicz University
Get access

Summary

As a number of films discussed in previous chapters demonstrate, the fear of Russia is an enduring topic in Nordic cinemas, articulated either through the modality of Eastern noir, as a subject (self-)critically and/or humorously approached, or as an emotion expressed at the subliminal level. In this final chapter, I would like to focus on another fear – that of the ‘spectre’ of workers migrating to the Nordic countries from the so-called ‘new members’ of the European Union, the largest of these being Poland. As Rosalind Galt has observed, post-Wall European cinemas redraw ‘both the discursive and the referential spaces of nations’ and are characterised by co-articulations of ‘cinematic space and geopolitical space’ (2006: 4–5). Indeed, in a number of Nordic films, Polish labour migrants not only signal the changing structures of societies and emergence of new transnational identities, but also prompt a revisiting and reconstructing of the central political metaphor defining the Nordic welfare states – that of the home. The films discussed in this chapter challenge both the political metaphor and social reality shaped by the concept of ‘home’.

Although ‘notions of family, home and local community have generally been central metaphoric resources from the very beginning of modern nationalism’ (Gullestad 2006: 94), and the ‘European house’ metaphor (first used by Mikhail Gorbachev in 1985) has figured prominently in European public discourse after 1989 (Stålhammar 1997: 101–3; Van Heuckelom 2014: 73), in the Nordic context, the notion of home carries its own relevance as the most ubiquitous and powerful concept for imagining the Nordic welfare state. Its centrality and prevalence is reflected in Scandinavian languages. Danes and Norwegians often use words denoting home, such as hjem, hjemme, herhjemme interchangeably with ‘Denmark’ and ‘Norway’ (as opposed to the world outside). The widely used Swedish term folkhemmet (‘the people's home’, ‘the folk home’) was adopted by Swedish social democrats in the 1930s ‘to suggest that familial solidarity should be extended to everybody within the modern and progressive welfare state’ (Gullestad 2006: 94). Although this term does not translate directly into the other Nordic languages, the links between the welfare state and national identity are equally as strong as those in Sweden (Hilson 2008: loc. 1790).

Type
Chapter
Information
Beyond Eastern Noir
Reimagining Russia and Eastern Europe in Nordic Cinemas
, pp. 169 - 193
Publisher: Edinburgh University Press
Print publication year: 2018

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×