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This chapter elaborates a contextualized account of Horace’s interests in nature and the nonhuman. It traces the connections in his lyric poetry between the nonhuman environment and various concepts of nature. Drawing on long-standing poetic traditions, as well as developments in Hellenistic philosophy, Horace forges a poetry in which distilled perceptions of the nonhuman world undergird insights into ethical concepts of nature by which humans should live their lives. The chapter finds in this poetics a complex form of nature poetry that usefully complicates that concept within the history of the lyric. In order to write this poetry, Horace authenticates his vatic status through claims about his own special relationship with the nonhuman environment and the gods. Horace’s special connection to the divine allows him to enjoy a privileged relationship with his nonhuman surroundings. And it is because of this status that he can command us with urgency and authority to attend to our environments. Horace represents himself as a supernatural poet of nature, whose literary achievement transcends nature even as it teaches about nature’s limits.
Jesus of Nazareth’s future engages Christian hope and the fulfillment of creation’s purpose. Jesus’s earthly life and divine identity are inseparable. This union both constitutes and challenges perceptions of linear time and functions creatively to intertwine past, present, and future. Jesus’s transformative impact on humanity and history signifies the final reconciliation and realization of God’s kingdom, which is manifest both in his historical presence and in his eternal nature.
Ancient Greek literature begins with the epic verses of Homer. Epic then continued as a fundamental literary form throughout antiquity and the influence of the poems produced extends beyond antiquity and down to the present. This Companion presents a fresh and boundary-breaking account of the ancient Greek epic tradition. It includes wide-ranging close readings of epics from Homer to Nonnus, traces their dialogues with other modes such as ancient Mesopotamian poetry, Greek lyric and didactic writing, and explores their afterlives in Byzantium, early Christianity, modern fiction and cinema, and the identity politics of Greece and Turkey. Plot summaries are provided for those unfamiliar with individual poems. Drawing on cutting-edge new research in a number of fields, such as racecraft, geopolitics and the theory of emotions, the volume demonstrates the sustained and often surprising power of this renowned ancient genre, and sheds new light on its continued impact and relevance today.
This inductive examination of the topics in the public administration literature using computational social science and corpus linguistics (17 journals, N=12,760 articles, 1991–2019) reveals a new landscape of public administration topics, changes in topics over time and their distribution: Topic modelling of the stock of the whole corpus identifies 50 topics: the top ten topics included health care, federal government, performance management, environmental regulation, HRM and networks and accounted for just over a third of scholarship between 1991–2019. Focal topics identified in individual journals identified similarities with popular topics in the whole corpus – networks, health care, HRM – and less frequently examined topics including gender and diversity and partnerships. Analysis of topics over time shows a substantial flow in topics moving from a country and practice focus in the early stages of our study period to concepts such as governance, networks and citizens in the late stages (2015–2019).
There is this view propounded by some theorists which claims that some conceptions of the nature of time are incompatible with the Christian position on the defeat of evil. The aim of this article is twofold. First, to clarify exactly which thesis about time’s nature is taken to be problematic for the defeat of evil. And second, to show that scriptural support for understanding the defeat of evil as requiring that evil not be in the range of the existential quantifier, something implicitly contended by those who put forward this problem, is weak and that these passages can be read in plausible ways which are affirmable by those who endorse the ‘problematic’ thesis.
The chapter discusses how questions of time and temporality shape and challenge global history, as well as historical studies in general. I take my cue from the specific temporality of global history itself and its role in defining the identity of the field. I move on to show, firstly, why time can be understood as history’s ‘last fetish’, as Chris Lorenz has phrased it, and how this makes itself known among global historians. In a second step, politics of periodisation are analysed as a particular challenge for de-centring history. Here, the recent debate about the ‘Global Middle Ages’ and the longer history of the global proliferation of the ‘medieval’ serve as an example. Finally, I turn to the question of synchronisation and contemporaneity, which presents both a promise and a problem for global historians.
Nineteenth-century studies has – like other fields – sought to move beyond the notion of progressive secularization in which religious beliefs disappear in modernity. But what will replace this paradigm? A compelling alternative emerges when we attend to how the Romantics and Victorians resist what Charles Taylor calls “excarnation” – the modern construal of religion primarily as inward belief unhooked from material reality and ritual forms. The Romantics’ and Victorians’ liturgical fascinations signal a suspicion of excarnation and an attempt to re-poeticize religion. The full significance of this use of liturgy, however, only appears in light of a much deeper genealogy of modernity stretching back to the late-medieval rise of voluntarism and nominalism. Such a genealogy reveals the theological origins of so many modern bifurcations (natural/supernatural, reason/faith, etc.) – bifurcations that nineteenth-century texts challenge and rethink by way of liturgy. Examples from Keats, Hopkins, Carlyle, Arnold, Dickens, and others forecast the book’s main arguments.
The chapter explores the ways in which Clare’s sense of personal identity and selfhood is first created, and then fashioned and influenced, by the many differing pressures brought to bear upon it. Such pressures include poetic antecedents, social and economic conditions, literary associations and relationships, as well as the more personal features of an upbringing rooted in the natural world, which is authoritative and confirming, and an internal world, which is increasingly fragile and unstable. The chapter traces these evolutions – from the earliest verse that Clare wrote to the last poems of his asylum years.
While Jacques Roumain’s classic novel Gouverneurs de la rosée foregrounds the possibility and necessity of return to Haiti, in many other literary versions of Haitian exile such a reconnection is never achieved. The returning wanderer can never just pick up where they left off, and the exile is definitive, unending. The chapter argues that exile for Haitian authors of the twentieth century is not merely a question of space or place; it has temporal dimensions that can compound the sense of separation or loss. Following a consideration of nineteenth-century exile-related poems, the chapter engages with some of the most prominent essayists, poets, and novelists whose works serve as chronicles of the multi-generational experiences of separation from Haiti before, during, and after the Duvalier dictatorships. As the examples show, experiences of exile vary widely and are determined by many factors, including personal circumstance, the place and conditions of exile, changing realities in the homeland, and evolving notions of exile itself, and of the ways in which it is written by successive generations of authors.
This chapter discusses psychic contemplation as our participation in the contemplation of the World Soul, who creates the sensible world and time. As a result, we see the world as becoming alive and we transcend time by finding in ourselves the peace and rest of Nature, the lower power of the World Soul. The main faculty in ourselves which participates in Nature is imagination (and memory), although Nature herself doesn’t entertain perception, imagination, or memory. When we ascend to this level, we begin to live in the present, mindfully awake to our sensible experience, but also having a sense that we are something different from it. Sensible experience no longer deceives us because we see the sensible world in and through its archetypes, which are the logoi in Nature. Like a geometer who sees the intelligible structure of the square in squared sensible shapes, we intuitively see the essence of things (“what it is”) revealed to us through their qualities (“what it is like”).
In The Prelude (1805/1850), Wordsworth reimagines time through the ritual calendar and festivals of revolutionary France. The Revolution’s rituals, moreover, complicate the common notion that Wordsworth retreats from politics into poetry. By way of ritual, Wordsworth enters what Walter Benjamin calls now-time or higher time, moments in which the past – via memory – becomes simultaneous with the present. Such now-times allow Wordsworth to juxtapose, on the one hand, his own past calling to a poetic vocation with, on the other hand, the Revolution’s founding vocation to bring liberty. In that juxtaposition, Wordsworth’s own faithfulness to his poetic calling tacitly critiques the Revolution’s infidelity to its origins. The higher time of ritual, then, mediates between Wordsworthian memory and revolutionary history. Wordsworth provides foundations for many Victorian liturgies. His sacralization of material reality, his resistance to the market’s dehumanizing rituals, his imbrication of memory and higher time – each of these undergoes further elaboration as the century unfolds.
John Keble and his protégé Charlotte Yonge take ritual time in a seemingly humbler, domestic direction. Rather than using higher time to engage an overarching political project as Wordsworth did with the Revolution, they see the church calendar as sacralizing even the smallest mundane tasks – the trivial round, as Keble calls it. Yet, for Keble, the transfiguration of daily work performed in linear time leads to nothing less than humanity’s deification or theosis, to use the language of the Greek Church Fathers venerated by the Oxford Movement. For Yonge, higher time and the Prayer Book’s liturgies not only reconcile reason and faith but also structure the material work of parish reform – the building of a local school, the repair of a dilapidated neighborhood, the hiring of a responsible priest to replace an absentee one. Through liturgy, therefore, the Tractarians can attend to everyday life while still seeing that life as sharing in the divine.
Attending to the multitude of temporal markers found in Clare’s poetry, this essay argues that his representation of time and his thematic and stylistic experimentation with temporality demonstrate his pivotal place in the history of eighteenth- and nineteenth-century labouring-class poetry. Finding, having, and protecting time to write – asserting writing as an activity (whether conceived of as ‘work’ or as a pastime) for which one could have or take the time – was fundamental for Clare, his predecessors, and successors, to publish at all. Examining the burgeoning awareness of what E. P. Thompson has named ‘work-time discipline’, the essay traces how awareness and time anxiety impacts artistic self-fashioning for poets such as Robert Dodsley, Mary Leapor, James Woodhouse, and Robert Bloomfield among others. However, Clare’s work remains an important point of transition for understanding how plebeian poets shaped their artistic identities within increasingly constraining notions of work.
Violence and time are elements shaping the lives of children. For children, time is something that to a large part is placed in the future, while to adults, it is placed in the past; still, it is within this time that violence directed toward children occurs because they are children, often with the purpose of shaping their personhood and controlling them. To be able to speak freely about how time and violence socially construct the self-identity as a child is an important act of resistance against the use of violence constructing childhood but also an important form of protection. To fight violence, the child rights discourse must move beyond the child’s rights to be heard to also take seriously the right to freedom of speech.
Moral and pragmatist sociology has studied capitalism as a set of institutions that require justification, which has historically been offered through forms of rewarding and meaningful work, anchoring the human life course in a narrative of individual and collective progress. However, emerging with neoliberalism, then becoming explicit after 2008, contemporary capitalism has become organised around the logic of assets and wealth as opposed to labour and production. This provokes a vacuum of justification. Once all actors are (as Minsky argued) balance sheet actors and profit becomes a function of sheer temporality, the economy ceases to function as a moral order and instead becomes imbued with existential concerns of temporality, durability, survival, and finitude. Possessed only of certain contingently acquired assets and liabilities, the self becomes wholly contingent in the sense described by Heidegger; that is, as ‘thrown’ into having had a past and into a relationship of ‘care’ towards the future. The article identifies symptoms of this existential condition in empirical studies of wealth elites, for whom (in the absence of conventional liberal and production-based measures of worth) problems of meaning, purpose, and finitude are endemic.
Simultaneously spiritual and material, liturgy incarnates unseen realities in concrete forms – bread, wine, water, the architectural arrangement of churches and temples. Nineteenth-century writers were fascinated with liturgy. In this book Joseph McQueen shows the ways in which Romantic and Victorian writers, from Wordsworth to Wilde, regardless of their own personal beliefs, made use of the power of the liturgy in their work. In modernity, according to recent theories of secularization, the natural opposes the supernatural, reason (or science) opposes faith, and the material opposes the spiritual. Yet many nineteenth-century writers are manifestly fascinated by how liturgy and ritual undo these typically modern divides in order to reinvest material reality with spiritual meaning, reimagine the human as malleable rather than mechanical, and enflesh otherwise abstract ethical commitments. McQueen upends the dominant view of this period as one of scepticism and secularisation, paving the way for surprising new avenues of research.
The Mediterranean is ubiquitous in nineteenth-century British literature, but this study is the first to fully recover and explore the region's centrality to Romantic and Victorian constructions of the past, the present, and the shape of time itself. Placing regions central to the making of Western cultural heritage, such as Italy and Greece, into context with one another and with European imperialism, Lindsey N. Chappell traces the contours of what she terms 'heritage discourse' – narrative that constructs or challenges imperial identities by reshaping antiquity – across nineteenth-century British texts. Heritage discourse functions via time, and often in counterintuitive and paradoxical ways. If assertions of political, cultural, and eventually racial supremacy were the end of this discourse, then time was the means through which it could be deployed and resisted. Chappell shows how historical narratives intervened in geopolitics, how antiquarianism sparked scientific innovation, and how classical and biblical heritage shaped British imperialism.
How do invocations of history inform speculative discourses in Western astrology? This article examines how events from the recorded past factor into predictive forecasts among professional astrologers for whom celestial patterns are indicative of shifting and evolving world-historical trends. Drawing on examples from prominent voices in the North American astrology community, across a range of commercial and social media platforms, I outline the parameters of what I call “astrological historicity,” a temporal orientation guided by archetypal principles closely associated with New Age metaphysics and psychodynamic theories of the self. I argue that while such sensibilities reinforce an ethos of therapeutic spirituality, they are not so narrowly individualistic as to preclude social and political considerations. Astrological historicity is at times a vehicle for culturally resonant expressions of historical consciousness, including critical awareness of historical legacies of racial and social injustice that directly link the past to the present and foreseeable future. Furthermore, while astrological accounts of history emulate aspects of modern historicism, including its orientation toward linear temporality and developmental themes, they rely on a nonlinear framework predicated on recurring cycles, correspondences, and synchronicities, bringing a complex heterotemporality to bear on world-historical circumstances. In seeking to understand the moral and political entailments of this area of occult knowledge production, this article aims to shed light on astrology’s cultural appeal not just as popular entertainment, spirituality, or therapy, but as an intellectual and cultural resource for many people searching for ways to express their frustration and disillusionment with reigning political-economic systems and authorities.
Compositions for musical clocks made possible a newly objective exploration of the relationship between music and time. Works by George Frideric Handel, Wilhelm Friedemann Bach and Carl Philipp Emanuel Bach reflected the absolute and uniform flow of Newtonian time. In contrast, Leopold Mozart's clock music alternated between two different metres and Wolfgang Amadeus Mozart used more complex tempo ratios in a musical installation (k608) built around a dramatically illuminated pendulum. Repeated thousands of times, this installation pitted clock against music, in effect providing a new kind of experiment that favoured relative Leibnizian time over uniform Newtonian time. As if responding to k608, Joseph Haydn incorporated his own clock music into his Symphony No. 101 in order to underline, yet then to stop, time, while Schubert's Fantasy in F minor, d940, brought these temporal experiments into a new realm of intimate musical experience.
In light of a recent surge of interest in time across a range of disciplines, a case has been made that New Testament studies has experienced a “temporal turn.” This claim raises an important question about how one understands the relation of recent developments to earlier, long-held debates about time among New Testament scholars. This question is answered here by revisiting the “salvation history” debate between Oscar Cullmann and Rudolf Bultmann, with the help of Paul Ricoeur’s analysis in Time and Narrative and in the context of recent trends in work on “temporalities.” This article argues that, although in many respects recent work on time offers fresh language to describe the kinds of time at stake for New Testament scholarship, it is also true that attending to the earlier debates shows how parts of the temporal turn are in fact a return to questions long considered.