Chapter 10 begins with an overview of previous, mostly telic treatments of play, contrasted with a “for its own sake,” paratelic approach.It discusses juvenile play, then adult play, including the play of animals in the wild.Much of the chapter focuses on language play, and on the function of play in conversation.The discussion throughout emphasizes the intrinsic motivation for play while acknowledging its contributions to individual and group homeostasis.

In view of Lucretius’ apparently overt and insistent Ennianizing poetics, many scholars have suggested that Latin poetry, and especially epic poetry, was dominated by Ennian aesthetic principles until these were finally rejected by Catullus and the other New Poets writing around the time of Lucretius. In order to assess more accurately the generic impact of Ennius’ Annals, I analyze the remains of republican epic before Lucretius without the benefit of Lucretian hindsight, showing that the evidence, such as it is, for reflexive imitation of Ennius by subsequent Latin epicists can be rejected on two counts. On the one hand, many of the extant fragments show no evidence of Ennian influence or imitation. On the other, where we can detect engagement with Ennius, we see not inert imitation but the kind of sophisticated, self-conscious allusive gestures that characterize much of Hellenistic and Latin poetry. I conclude by highlighting some aspects of the Annals that were productive for subsequent poets’ engagement with Ennius.