This article provides a conceptual framework that fills a critical gap at the intersection of Chinese art and cultural history. It focuses on the Yongzheng emperor's ‘Illustrated Inventory of Ancient Playthings’ (Guwantu) and its significance within the context of the collecting and courtly elite culture of the High Qing. Through a comprehensive examination of scroll B/C.8–V&A of the Guwantu itself, as well as the relevant source material, this study elucidates the dynamics that shaped the connections between artist, collector and object in the context of the scroll. Furthermore, this contribution throws light on the multiple entangled relationships that underpinned imperial collecting practices of the period, ultimately offering new insights into the socio-cultural milieu of collectors and connoisseurs in early eighteenth-century China.
