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- Book:
- Heinrich Schenker's Conception of Harmony
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- 20 June 2020, pp xxvii-xxviii
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Bibliography
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- Heinrich Schenker's Conception of Harmony
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Frontmatter
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- Heinrich Schenker's Conception of Harmony
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4 - Sources of Schenker’s Intellectual Methodology in 1906: The Conflict between the Human and Natural Sciences in Schenker’s Education, Music Theory in the Later Nineteenth Century, and His Reaction to Both
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Preface
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Appendix A - “The Path to Likeness.” OC/83, 2–43
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6 - The Twilight of the Masters: Schenker’s Reinterpretation of the Classical Concept of Harmony
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1 - The Eclectic Intellectual Methodology of Schenker’s Theory of Harmony (1906)
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Appendix B - “[Foundations of Tonal Systems.]” OC/31, 360–417
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2 - The Music-Theoretical Content of Schenker’s Theory of Harmony (1906) and the Status of Harmony in His Later Work
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Abbreviations
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- Heinrich Schenker's Conception of Harmony
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3 - Schenker’s Theory of Harmony (1906) in Historical Perspective: The Theory of Harmony from the Ancient Greeks to the Early Nineteenth Century
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Contents
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Index
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781787446694/resource/name/9781787446694i.jpg)
Heinrich Schenker's Conception of Harmony
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Part III - Harmonielehre: The Future
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Part I - Harmonielehre
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5 - A “New Edition” for a New Audience and an “American Version” for a New Country: Problems of Editing and Translating Harmonielehre (1906)
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Part II - Harmonielehre: The Past
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