We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure coreplatform@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter focuses on the chaconne and demonstrates how existing approaches to pitch in Adès’s employment of the form in Arcadiana, Concerto conciso and the Violin Concerto are enriched through an appreciation of his handling of rhythm and texture to generate larger-scale musical and dramatic structures. In the three instrumental movements examined in this chapter the pitch structure of Adès’s chaconnes undergo the usual kinds of changes expected of this variation form. Attending to only the pitch organisation does not provide a complete picture of the complexities of an Adèsian chaconne. For Adès, the repetition of the chaconne cycle provides an opportunity to superimpose independent layers of rhythmic patterns that heighten and enrich the pitch and harmonic musical transformations. The temporal implications of Adès’s chaconnes provide new insights into the processes that structure his form on the larger scale.
Thomas Adès is a dominant force in contemporary music, whose work attracts significant attention and acclaim, and has been performed by many renowned ensembles. This volume – the first to present a range of scholarly essays on every aspect of Adès's music – offers authoritative accounts of Adès's major compositions from a variety of analytical, critical, cultural and historical perspectives. The opening chapters focus on Adès's earlier music, offering close readings of key works. Further essays focus on his engagement with forms and instrumental genres. The final chapters turn to Adès's texted music and highlight how themes introduced in earlier chapters cut across Adès's entire output. Richly illustrated with musical examples and supported by further online material, this book provides a multi-faceted portrait of Adès's work that opens up new ways of thinking about, and engaging with, his music.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.