Search

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Search Results

Refine search

Refine search

Actions for selected content:

25 results

Ingrid Ghose. Shakespeare and Laughter: A Cultural History. Manchester: Manchester University Press, 2008. 230 pp. index. bibl. £55. ISBN: 978–0–7190–7692–3.

Derek Cohen. Searching Shakespeare: Studies in Culture and Authority. Toronto and Buffalo: University of Toronto Press, 2003. xvi + 195 pp. index, bibl. $50. ISBN: 0-8020-8778-7.

Gross Kenneth, Shakespeare's Noise Chicago and London: University of Chicago Press, 2001. xi + 282 pp. $42 (d), $17 (pbk). ISBN: 0-226-30988-6 (cl), 0-226-30989-4 (pbk).

Looking Backward, Looking Forward: MLA Members Speak

William Kerrigan. Hamlet's Perfection. Baltimore: Johns Hopkins University Press, 1994. xvi + 179 pp. $29.95.

Annette Drew-Bear. Painted Faces on the Renaissance Stage: The Moral Significance of Face-Painting Conventions. Lewisburg, PA: Bucknell University Press, 1994. 6 pls. + 139 pp. $29.50.

E. Pearlman. William Shakespeare: The History Plays. (Twayne's English Authors Series.) New York: Twayne Publishers, 1992. xi + 192 pp. $22.95. - Richard Hillman. William Shakespeare: The Problem Plays. (Twayne's English Authors Series.) New York: Twayne Publishers, 1993. xiv + 185 pp. $22.95.

F.W. Brownlow. Shakespeare, Harsnett, and the Devils of Denham. Newark: University of Delaware Press, 1993. 440 pp. $49.50.

Robert S. Miola. Shakespeare and Classical Tragedy: The Influence of Seneca. Oxford: Clarendon Press, 1992. 224 pp. $49.95.

Fredson Bowers, general ed. The Dramatic Works in the Beaumont and Fletcher Canon, Vol. VIII. Cambridge: Cambridge University Press, 1992. vii + 758 pp. $145.

Janet Adelman. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to the Tempest. New York and London: Routledge, 1992. xii + 379 pp. $49.50 cloth; $15.95 paper.

Michael E. Mooney. Shakespeare's Dramatic Transactions. Durham: Duke University Press, 1990. xiv + 226 pp. $29.95.

Marion Lomax. Stage Images and Traditions: Shakespeare to Ford. Cambridge: Cambridge University Press, 1987. 13 pls. +xiii + 202 pp. $37.50.

C. L. Barber. Creating Elizabethan Tragedy: The Theater of Marlowe and Kyd. Ed. Richard P. Wheeler. Chicago: University of Chicago Press, 1988. xi + 169 pp.

Marilyn L. Williamson. The Patriarchy of Shakespeare's Comedies. Detroit: Wayne State University Press, 1986. 207 pp. $24.95.

Harriett Hawkins. The Devil's Party: Critical Counter-interpretations of Shakespearian Drama. New York: The Clarendon Press, Oxford University Press, 1985. xii + 196 pp. $19.95.

Jean E. Howard. Shakespeare's Art of Orchestration: Stage Technique and Audience Response. Urbana—Chicago: University of Illinois Press, 1984. x + 212 pp. $16.95.

Johannes H. Birringer. Marlowe's “Dr. Faustus” and “Tamburlaine“: Theological and Theatrical Perspectives. (Trierer Studien zur Literatur, 10.) Frankfurt am Main-Bern-New York: Peter Lang, 1984. 402 pp. SF.77.

James L. Calderwood. To Be and Not to Be: Negation and Metadrama in Hamlet. New York: Columbia University Press, 1983. xvi + 222 pp. $29.50; paper, $13.50.

Search Results

Refine search

Refine search

Actions for selected content:

Save Search

25 results