This article argues for the importance of Princess E.S. Urusova's four poems published between 1772 and 1777 to scholarly discussions of both classical reception and noble culture. Urusova engages more intensively than any other Russian writer of the period with the European Quarrel of the Ancients and the Moderns, formulating thereby unique responses to major literary and political concerns of the 1770s. In the literary sphere, the Quarrel allows Urusova to conceptualize with exceptional perspicacity the multifaceted cultural environment of the time: contributing to Russia's claim to be the direct heir of the Greeks and Romans, she also makes the interesting case that the emerging culture of sensibility ideally equips readers and writers to absorb the classics. In the political sphere, by evoking the framework of ancient virtue through classical intertexts, she envisages an alliance between the sovereign and a strong nobility based on both cultural refinement and a sense of duty and service to the nation. Urusova's case shows how imitating and reinterpreting the classics helped one woman to find her voice as a poet in eighteenth-century Russia.