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31 results

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  • 14 - More-than-Human Collectives in Richard Powers’ The Overstory and Vandana Singh’s ‘Entanglement’

  • from Collective Climate Action
  • Edited by Adeline Johns-Putra, Kelly Sultzbach, University of Wisconsin, La Crosse
  • Book: The Cambridge Companion to Literature and Climate
  • Published online: 31 March 2022
  • Print publication: 07 April 2022, pp 214-226

  • Summary

    From questions posed by Wilfred Owen at a Craiglockhart War Hospital talk ‘Do Plants Think?’ and Alan Turing’s rhetorical echo ‘Can Machines Think?’ to Dipesh Chakrabarty’s query ‘Who is the we?’ in a postcolonial Anthropocene, times of crisis goad us into recognising wider sentience and reimagining collective agency. This essay considers how a collective comprised of humans, intelligent botanical or zoological life, and AI might respond to climate crisis using two literary case studies. Richard Powers’ The Overstory and Vandana Singh’s ‘Entanglement’ use contemporary tree science and quantum entanglement, respectively, as innovative, interdisciplinary narrative models. These models also dictate the resolutions of their stories – eventualities of collectivity that may still be evolving, but gesture toward potential climate-changed futures. As this essay argues, these two works offer contrasting visions based on how they deploy AI design potentials, the emotional responses of hope and despair, and the spectre of uncertainty as either a creative space for solutions or a reminder of impossible choices. These stories also pose important questions about corporate power, empathy, and social justice, reminding us that reckoning with human cultural diversity is still the soil from which any more-than-human climate collective must grow.

  • Introduction

  • Edited by Adeline Johns-Putra, Kelly Sultzbach, University of Wisconsin, La Crosse
  • Book: The Cambridge Companion to Literature and Climate
  • Published online: 31 March 2022
  • Print publication: 07 April 2022, pp 1-24

  • Summary

    This introduction sets out the volume’s main contention that any analysis of climate and literature must not only deal with the many ways in which climate has been conceptualised but also frame those conceptualisations as a pre-history to climate emergency. It chronicles first the vexed genealogy of climate and literature, showing how this history proceeds unevenly through expectations around, variously, climate’s agency as a felt presence, its status as data or index, and its betokening of an impossibly complex global system. It then considers the literary and literary-critical fields, arguing for the need to contextualise these both in the here and now of climate crisis and in the longer pre-history of climate concepts. It then introduces the chapters in this volume, which simultaneously look back on this terrain and forward into a fraught world. Ultimately, if the history of climate and literature is one of climate’s various conceptualisations as agency, index, and system, this introduction, like the volume as a whole, argues for the potential of literature to depict systems conversion – not merely the future potential for disastrous global environmental failure but rather the means to reinvent it.

The Cambridge Companion to Literature and Climate
  • Edited by Adeline Johns-Putra, Kelly Sultzbach
  • Published online: 31 March 2022
  • Print publication: 07 April 2022
  • Investigating the relationship between literature and climate, this Companion offers a genealogy of climate representations in literature while showing how literature can help us make sense of climate change. It argues that any discussion of literature and climate cannot help but be shaped by our current - and inescapable - vantage point from an era of climate change, and uncovers a longer literary history of climate that might inform our contemporary climate crisis. Essays explore the conceptualisation of climate in a range of literary and creative modes; they represent a diversity of cultural and historical perspectives, and a wide spectrum of voices and views across the categories of race, gender, and class. Key issues in climate criticism and literary studies are introduced and explained, while new and emerging concepts are discussed and debated in a final section that puts expert analyses in conversation with each other.

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