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Page 1 of 4

  • Introduction
  • Edited by John Ernest, University of Delaware
  • Book: Race in American Literature and Culture
  • Published online: 26 May 2022
  • Print publication: 16 June 2022, pp 1-8
  • View extract

    Summary

    Race is central to American history. It is, or should be, impossible to understand the United States without attending carefully to how race has been defined and deployed at every stage of the nation’s history. From the 1790 Naturalization Act, which limited naturalization to “free white persons,” to the Trump presidency, race has been at the center of American cultural life – both shaping and shaped by economic practices and priorities; influencing where people live and what opportunities they are likely to encounter; serving as a key variable in local, state, and national elections; serving as the ominous subtext of the legal system and policing methods; and guiding government policies and social practices. Although our educational system has almost miraculously managed to isolate and contain much of US racial history into discrete and settled textbook chapters, it is difficult to imagine American history without accounting for the effects of the system of slavery, Indian removal, the Dred Scott decision, the Indian Appropriations Act, the Chinese Exclusion Act, Japanese incarceration, or other racist projects in American history that shaped how the system works – who has control over space, governance, and power. Every aspect of American culture, from the Electoral College to the history of sports and entertainment, has been almost immeasurably influenced by the determination of the white population to define and guard the borders of whiteness and to subordinate and control all those beyond those borders.

Race in American Literature and Culture
  • Race in American Literature and Culture
  • Edited by John Ernest
  • Published online: 26 May 2022
  • Print publication: 16 June 2022
  • View description
    Exploring the unsteady foundations of American literary history, Race in American Literature and Culture examines the hardening of racial fault lines throughout the nineteenth century and into the twentieth while considering aspects of the literary and interrelated traditions that emerged from this fractured cultural landscape. A multicultural study of the influential and complex presence of race in the American imagination, the book pushes debate in exciting new directions. Offering expert explorations of how the history of race has been represented and written about, it shows in what ways those representations and writings have influenced wider American culture. Distinguished scholars from African American, Latinx, Asian American, Native American, and white American studies foreground the conflicts in question across different traditions and different modes of interpretation, and are thus able comprehensively and creatively to address in the volume how and why race has been so central to American literature as a whole.
  • Chapter 5 - Nineteenth-Century Autobiographical Writings by Freeborn African Americans
  • from Part I - Origins and Histories
  • Edited by Joycelyn Moody, University of Texas, San Antonio
  • Book: A History of African American Autobiography
  • Published online: 30 September 2021
  • Print publication: 22 July 2021, pp 69-84
  • View extract

    Summary

    This chapter addresses examples of African American autobiography published before the Civil War that both called for and complicated the concept of a Black community, narratives not about the journey from slavery to freedom but about the story of a tenuous freedom and an uncertain community, a collective story under development and in need of a proper telling. Many of these autobiographies speak of platforms built, of relations established, of communities forged; others speak of the need for such platforms, the absence of immediate relations, the longing for community. What they all share, however, is the commitment to telling a different story about Black life and ambition than the one that was all but required of African Americans at the time, the story of suffering under slavery.

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