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  • Chapter 15 - Seriality
  • from Part II - Forms and Formats
  • Edited by Justine S. Murison, University of Illinois
  • Book: American Literature in Transition, 1820–1860
  • Published online: 09 June 2022
  • Print publication: 23 June 2022, pp 253-268
  • View extract

    Summary

    This essay charts the rise of serial fiction from sensational to sentimental series. Many of these texts were written by authors who were once well known but who are now largely forgotten. Or scholars may be familiar with one or two titles from these writers’ whole corpus, as may be the case for E. D. E. N. Southworth’s fifty-two novels. Publishers such as Peterson’s and Street & Smith profited from these novels, as did the authors who engaged their readers with popular, if sometimes convoluted, plots. Drawing these readers to serials was the reliability of their narrative repetitions and excitement of their psychological dramas over how to deal with transitions in US culture.

Nineteenth-Century American Women's Serial Novels
  • Nineteenth-Century American Women's Serial Novels
  • Dale M. Bauer
  • Published online: 20 November 2019
  • Print publication: 05 December 2019
  • View description
    Nineteenth-Century American Women's Serial Novels explores the prolific careers of four exemplary novelists - E. D. E. N. Southworth, Ann Stephens, Mary Jane Holmes, and Laura Jean Libbey. These commercially successful writers helped to shape the popular tradition of serial magazine fiction by drawing on readers' tastes along with their cultural concerns. Their astonishing productivity led magazine editors and publishers to return to them repeatedly for more serials to be turned into even more novels, even as they reprinted these fictions under new titles. Dale M. Bauer analyzes how serials deployed the repetition of plots and the traumas representing the sources of women's anxieties and pain. Arguing that these novels provided temporary resolutions to the social, economic, and psychological tensions that readers faced, Bauer explains how this otherwise forgotten archive of fiction now offers an extraordinarily expanded range of women's literary effort from the nineteenth to the twentieth century.

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