Critical reactions to the denouement of Corneille’s Le Cid are generally divided between the comic notion of a complete and happy union of Rodrigue and Chimène and the tragic notion of the impossibility of their marriage. However, it is possible to incorporate the two views into an interpretation of the play that emphasizes in the ambivalence of this ending the complexity of Corneille’s vision of man’s possibilities and limitations. Rodrigue represents the heroic order of humanity; Chimène and her mirror image, the Infante, exemplify the common order. The representation of the heroic quest in Le Cid not only portrays Rodrigue’s triumph but also depicts the women’s failures. Heroism and frailty coexist and interact; and it is essential to note that in the different outcomes of Rodrigue’s, Chimène’s, and the Infante’s efforts to unite hand, heart, and mind respectively, Le Cid offers a complex vision of humanity.