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4 - From Georgian to Medieval Polyphonies: Analysis and Modeling
- from Part Two - Poietic Channels
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- The Dawn of Music Semiology
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- Boydell & Brewer
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- 26 April 2018
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- 28 February 2017, pp 59-80
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3 - Earlier methods
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- African Polyphony and Polyrhythm
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- 27 January 2010
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- 18 July 1991, pp 96-103
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BOOK I - THE MUSIC OF THE CENTRAL AFRICAN REPUBLIC
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 1-1
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Frontmatter
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp i-viii
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3 - African rhythmics
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 206-212
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Introduction
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 33-33
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1 - Typology
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 215-217
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Map
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 2-2
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6 - The association of polyphony and polyrhythmics
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 619-654
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2 - The general features of traditional music
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 6-15
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List of illustrations
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp xv-xvi
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Conclusion
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 655-659
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1 - A classification of African polyphonies
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 34-44
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4 - Polyrhythmics as a way to polyphony: Hocket
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 307-504
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1 - The need for transcription
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 94-95
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BOOK IV - THEORETICAL TOOLS
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 135-136
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6 - Technical equipment: description and use
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp 107-112
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Contents
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- African Polyphony and Polyrhythm
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- 18 July 1991, pp ix-xiv
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2 - Description and analysis
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- 18 July 1991, pp 157-169
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3 - The question of transcription
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- 18 July 1991, pp 169-176
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