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Note on Terminology
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- Narratives of Identity in Alban Berg's 'Lulu'
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Contents
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Bibliography
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Introduction
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Notes
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6 - Masculine, Feminine, and “In-between”: Geschwitz as neue Frau
- from Part Two - Personal and Cultural Identities
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Frontmatter
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Part One - Berg's Ideal Identities
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Index
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1 - Between Schoenberg and Wagner
- from Part One - Berg's Ideal Identities
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3 - Refiguring Tristan
- from Part One - Berg's Ideal Identities
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Dedication
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Conclusion: Berg's Wagnerism
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Part Two - Personal and Cultural Identities
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Narratives of Identity in Alban Berg's 'Lulu'
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2 - Berg as Wagner: In Pursuit of an Ideal Identity
- from Part One - Berg's Ideal Identities
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Acknowledgments
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5 - Marriage as Prostitution
- from Part Two - Personal and Cultural Identities
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4 - The Bild Motif and Lulu's Identity
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