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VI - Mysterious Bodies: Solving and De-Solving Disability in the Fin-de-Siècle Mystery
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- Articulating Bodies
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- Liverpool University Press
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- 11 July 2020
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- 01 October 2019, pp 161-192
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II - Social Bodies: Dickens and the Disabled Narrator in Bleak House
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- Articulating Bodies
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- 01 October 2019, pp 49-76
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Dedication
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- Articulating Bodies
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- 01 October 2019, pp v-vi
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I - Grotesque Bodies: Hybridity and Focalization in Victor Hugo's Notre-Dame de Paris
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- Articulating Bodies
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- 11 July 2020
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- 01 October 2019, pp 19-48
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Index
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- Articulating Bodies
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- 01 October 2019, pp 217-221
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Frontmatter
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- Articulating Bodies
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- 01 October 2019, pp i-iv
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III - Sensing Bodies: Negotiating the Body and Identity in Mary Elizabeth Braddon's Aurora Floyd and Wilkie Collins's The Moonstone
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- Articulating Bodies
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- 01 October 2019, pp 77-108
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Acknowledgements
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- Articulating Bodies
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- 01 October 2019, pp ix-x
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Works Cited
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- Articulating Bodies
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- 01 October 2019, pp 197-216
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Afterword
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- 01 October 2019, pp 193-196
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V - Fairy-Tale Bodies: Prostheses and Narrative Perspective in Dinah Mulock Craik's The Little Lame Prince
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- Articulating Bodies
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- 11 July 2020
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- 01 October 2019, pp 139-160
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IV - Sanctified Bodies: Christian Theology and Disability in Ellice Hopkins's Rose Turquand and Charlotte Yonge's The Pillars of the House
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- Articulating Bodies
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- 11 July 2020
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- 01 October 2019, pp 109-138
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Articulating Bodies
- The Narrative Form of Disability and Illness in Victorian Fiction
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- 01 October 2019
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Contents
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- 01 October 2019, pp vii-viii
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Introduction
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- 01 October 2019, pp 1-18
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“SKINS TO JUMP INTO”: THE SLIPPERINESS OF IDENTITY AND THE BODY IN WILKIE COLLINS'S NO NAME
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- Victorian Literature and Culture / Volume 40 / Issue 1 / March 2012
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- 07 March 2012, pp. 117-135
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