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5 - A New (Ethical) Face on Love: Bad Faith and Claire Denis’s Let the Sunshine In
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- Ambiguous Cinema
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- 16 November 2022
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- 30 June 2022, pp 121-145
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Frontmatter
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8 - Femme Desire and the Reciprocal Gaze in Céline Sciamma’s Portrait of a Lady on Fire
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- 16 November 2022
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- 30 June 2022, pp 201-226
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Conclusion: Make Your Choice – Ambiguity Beyond Beauvoir
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- 16 November 2022
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- 30 June 2022, pp 227-232
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Bibliography
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- 30 June 2022, pp 235-247
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Filmography
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6 - A Cinema of the Borderlands: Lucrecia Martel’s Zama
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- 30 June 2022, pp 146-176
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7 - Sensuous Co-Performance: Lynne Ramsay’s We Need to Talk About Kevin and Beauvoir’s Aesthetic Attitude
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- 30 June 2022, pp 177-200
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Acknowledgements
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Contents
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Abbreviations of Featured Works by Simone de Beauvoir
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Introduction
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2 - Must We Burn Cavani? Moral Ambiguity in The Night Porter
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- 30 June 2022, pp 35-60
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3 - Moments of Moral Choice in Debra Granik’s Leave No Trace
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- 30 June 2022, pp 61-90
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![](http://static.cambridge.org/content/id/urn:cambridge.org:id:book:9781399504256/resource/name/9781399504256i.jpg)
Ambiguous Cinema
- From Simone de Beauvoir to Feminist Film-Phenomenology
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- 16 November 2022
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List of Figures
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4 - Habit the Cinematic Encounter: Cheryl Dunye and the ‘Dunyementaries’
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- 30 June 2022, pp 91-120
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1 - Beauvoir’s Ambiguity, Cinema and Feminist Phenomenology
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- 30 June 2022, pp 9-34
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Index
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The Pharmakon of the Apocalypse
- from Part I - At/tension
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- The End that Does
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- 05 June 2014
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- 31 October 2006, pp 7-16
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