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Introduction
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 139-143
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III - Musical issues
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 81-108
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Foreword by Ian Bent
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp ix-xii
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Frontmatter
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp i-vi
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I - The aim and the inner nature of compositions and, above all, the way in which they arise
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 144-204
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Contents
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp vii-viii
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I - Aesthetic foundations
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 25-54
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Aesthetics and the Art of Musical Composition in the German Enlightenment
- Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch
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- 21 March 1996
Index
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 205-210
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Preface
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 137-139
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II - The creative process
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- Aesthetics and the Art of Musical Composition in the German Enlightenment
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- 21 March 1996, pp 55-80
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