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3 - Pen and voice: versions of doubleness
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 54-78
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Frontmatter
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp i-viii
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Introduction: conjunctures and concepts
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 1-17
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2 - A new agenda for authority
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 29-53
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Index
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- 22 September 2009
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- 27 July 2000, pp 289-300
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1 - Performance and authority in Hamlet (1603)
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 18-28
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6 - Hamlet and the purposes of playing
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 151-179
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5 - Histories in Elizabethan performance
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 109-150
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Afterword: thresholds forever after
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 246-250
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Preface
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp xi-xiv
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8 - Shakespeare's endings: commodious thresholds
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 216-245
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7 - Space (in)dividable: locus and platea revisited
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 180-215
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Notes
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 251-268
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![](https://assets.cambridge.org/97805217/87352/cover/9780521787352.jpg)
Author's Pen and Actor's Voice
- Playing and Writing in Shakespeare's Theatre
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- 22 September 2009
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- 27 July 2000
Contents
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp ix-x
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List of works cited
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 269-288
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4 - Playing with a difference
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- Author's Pen and Actor's Voice
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- 22 September 2009
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- 27 July 2000, pp 79-108
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