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6 - The Alienated Gaze and the Activist Eye: Gender, Class, and Politics in Lotus (2012) and Outcry and Whisper (2020)
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- Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era
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- 21 February 2024
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10 - Conclusion: The View from the Chinese Diaspora in The Farewell (2019)
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7 - Oppositional Optics: The View from Hong Kong
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- 21 February 2024
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Contents
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Frontmatter
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Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era
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8 - From Activism to Exile: Our Youth in Taiwan (2018) and To Singapore, with Love (2013)
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- Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era
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2 - The Look and the Stare: Looked Over and Overlooked in The Truth About Beauty (2014), My Way (2012), and Unfinished (2013)
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- Women Filmmakers and the Visual Politics of Transnational China in the #MeToo Era
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5 - The Queer Gaze across the Gay-Straight Generational Divide: Small Talk (2016) and A Dog Barking at the Moon (2019)
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A Note on Romanization
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9 - Viral Visions: The Pandemic Archive in Miasma, Plants, Export Paintings (2017) and Many Undulating Things (2019)
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3 - The Leer and the Glare: Voyeurism and State Surveillance in Hooligan Sparrow (2016) and Angels Wear White (2017)
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Bilingual Filmography
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- 11 December 2023, pp 351-356
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Acknowledgements
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4 - A Glimpse of the Glance: Women Scrutinize Men in Female Directors (2012) and Girls Always Happy (2018)
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1 - Introduction: #MeToo and the Visual Politics of Transnational Chinese Cinema
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Dedication
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Index
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Bibliography
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5 - Running on Karma: Hong Kong Noir and the Political Unconscious
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- Hong Kong Neo-Noir
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- 24 April 2021
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- 28 April 2017, pp 97-117
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