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PREFACE TO THE THIRD EDITION
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- 27 June 2013, pp xi-xii
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LECTURE III - THE MODERN FREE OR CHROMATIC STYLE
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Contents
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LECTURE IV - THE MODERN STYLE–continued
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LECTURE V - THE MODERN STYLE–continued
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Six Lectures on Harmony
- Delivered at the Royal Institution of Great Britain, before Easter 1867
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PREFACE TO THE FIRST EDITION
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Dedication
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PREFACE TO THE SECOND EDITION
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LECTURE II - THE ANCIENT STRICT OR DIATONIC STYLE
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Frontmatter
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LECTURE VI - THE MODERN STYLE–continued
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LECTURE I - INTRODUCTORY
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CHAPTER VII - The First Species of Diatonic Discords
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- Alfred Day's Treatise on Harmony
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- 19 January 2012, pp 26-32
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- 1885
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CHAPTER XXV - Of Diatonic and Chromatic Passing Notes in the Free Style, and Arpeggios
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- 19 January 2012, pp 155-175
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CHAPTER XX - Of the Chord of the Fundamental Eleventh of the Dominant
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- 19 January 2012, pp 105-115
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CHAPTER IV - Of Common Chords and their Inversions
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- 19 January 2012, pp 17-20
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CHAPTER XIII - Of Chromatic or Fundamental Harmony, the Intervals used therein, and Chromatic Scales
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- 19 January 2012, pp 62-65
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CHAPTER VIII - The Second Species of Discords
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- 19 January 2012, pp 33-40
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Contents
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- Alfred Day's Treatise on Harmony
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- 19 January 2012, pp v-vi
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