Modern literature, viewed superficially, presents two phenomena that attest its vitality rather than its decline, at least in our Vestern countries: the anormal development of the novel and the advent of criticism as a genre.
The novel today appears to be omniscient and does not always succeed in disguising its didactic intent. Formerly, the various disciplines—once their methods were acquired and their end discerned—detached themselves from literature, leaving to it exclusively the domain of fiction. Devoured by the voracity of the novel, not only the young and as yet uncertain sciences such as psychoanalysis, ethnology, and criminology, but older ones as well, like philosophy, history or law, come back to it and use it readily in maintaining their theses and in emphasizing their needs. Thus the novel takes over their diverse ambitions.