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6 - Berg, Mahler and the Three Orchestral Pieces Op. 6
- from Part 2 - From song to opera
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- The Cambridge Companion to Berg
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- 28 September 2011
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- 24 April 1997, pp 111-144
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Frontmatter
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- Proust as Musician
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- 16 March 1989, pp i-viii
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Notes
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- 16 March 1989, pp 110-114
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3 - Music as redemptive model for literature
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- 16 March 1989, pp 34-77
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Preface to the English edition
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- 16 March 1989, pp xi-xii
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Appendix: Passages from A la recherche translated in the text
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- 16 March 1989, pp 92-109
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Contents
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- 16 March 1989, pp ix-x
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![](https://assets.cambridge.org/97805213/63495/cover/9780521363495.gif)
Proust as Musician
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- 16 March 1989
4 - From Vinteuil to Schopenhauer
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- 16 March 1989, pp 78-87
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5 - In conclusion: Quest for the essence and denial of the origin
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- 16 March 1989, pp 88-91
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References
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- 16 March 1989, pp 115-118
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Translator's note
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- Proust as Musician
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- 16 March 1989, pp xiii-xiv
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2 - Parsifal as redemptive model for the redemptive work
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- Proust as Musician
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- 16 March 1989, pp 12-33
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1 - Introduction: Beyond the ‘little phrase’
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- 16 March 1989, pp 1-11
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Index
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- 16 March 1989, pp 119-122
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