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On the Nature of Structural Framing
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- Nineteenth-Century Music Review / Volume 4 / Issue 1 / June 2007
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- 13 April 2011, pp. 3-29
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2 - Aphorism and the Appropriation of Webernian Techniques (1950–1955)
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Selected Bibliography
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Part Two - More Detailed Analyses
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6 - An Mathilde: An Unsung Cantata
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5 - Dallapiccola’s Idiosyncratic Approach to “Octatonic Serialism”
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Frontmatter
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The Twelve-Tone Music of Luigi Dallapiccola
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Index
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7 - Parole di San Paolo: “A Performance under a Glass Bell”
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Dedication
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Notes
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1 - On the Twelve-Tone Road (1942–1950)
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4 - Consolidation and Synthesis (1960–1972)
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Contents
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Introduction
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Part One - Dallapiccola’s Serial Odyssey, 1942–1972
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Acknowledgments
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Afterword
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3 - The Apex of the Schoenbergian and Webernian Influence (1956–1960)
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