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Anxiety symptoms, cerebral amyloid burden and memory decline in healthy older adults without dementia: 3-year prospective cohort study
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- Journal:
- The British Journal of Psychiatry / Volume 204 / Issue 5 / May 2014
- Published online by Cambridge University Press:
- 02 January 2018, pp. 400-401
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- May 2014
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Contributors
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- The Cambridge Handbook of Forensic Psychology
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- 06 July 2010
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- 29 April 2010, pp xix-xxiii
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Commission 47: Cosmology: (Cosmologie)
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- Transactions of the International Astronomical Union / Volume 24 / Issue 1 / 2000
- Published online by Cambridge University Press:
- 25 April 2016, pp. 311-314
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- 2000
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On the Sensitiveness of the Ear to Pitch and Change of Pitch in Music
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- Proceedings of the Musical Association / Volume 3 / 1876
- Published online by Cambridge University Press:
- 01 January 2020, pp. 1-32
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- 1876
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ADDENDUM
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp xvi-xvi
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CHAPTER IX - DEPTH AND DEEPEST TONES
- from PART II - ON THE INTERRUPTIONS OF HARMONY
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 264-271
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APPENDICES
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 579-800
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CHAPTER III - ANALYSIS OF MUSICAL TONES BY SYMPATHETIC RESONANCE
- from PART I - ON THE COMPOSITION OF VIBRATIONS
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 56-77
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CHAPTER XIII - GENERAL VIEW OF THE DIFFERENT PRINCIPLES OF MUSICAL STYLE IN THE DEVELOPMENT OF MUSIC
- from PART III - THE RELATIONSHIP OF MUSICAL TONES
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 357-383
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CHAPTER X - BEATS OF THE UPPER PARTIAL TONES
- from PART II - ON THE INTERRUPTIONS OF HARMONY
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 272-299
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AUTHOR'S PREFACE TO THE FIRST GERMAN EDITION
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp xii-xii
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PART I - ON THE COMPOSITION OF VIBRATIONS
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 9-10
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- 1875
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CHAPTER VIII - ON THE BEATS OF SIMPLE TONES
- from PART II - ON THE INTERRUPTIONS OF HARMONY
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 240-263
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CHAPTER XIX - ESTHETICAL RELATIONS
- from PART III - THE RELATIONSHIP OF MUSICAL TONES
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 563-578
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CHAPTER XIV - THE TONALITY OF HOMOPHONIC MUSIC
- from PART III - THE RELATIONSHIP OF MUSICAL TONES
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 384-446
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CHAPTER XI - BEATS DUE TO COMBINATIONAL TONES
- from PART II - ON THE INTERRUPTIONS OF HARMONY
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 300-320
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- 1875
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NOTICE BY THE TRANSLATOR
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp v-xi
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CHAPTER XVIII - LAWS OF PROGRESSION OF PARTS
- from PART III - THE RELATIONSHIP OF MUSICAL TONES
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp 544-562
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Contents
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- On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- 05 November 2012
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- 04 October 2009, pp xvii-xxiv
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On the Sensations of Tone as a Physiological Basis for the Theory of Music
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- Published online:
- 05 November 2012
- Print publication:
- 04 October 2009
- First published in:
- 1875