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Gardens of Love and the Limits of Morality in Early Netherlandish Art. Andrea Pearson. Brill's Studies in Intellectual History 296. Leiden: Brill, 2019. xxii + 356 pp. €165.
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- Renaissance Quarterly / Volume 75 / Issue 4 / Winter 2022
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- 09 January 2023, pp. 1322-1323
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- Winter 2022
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Conclusion
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 265-292
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Contents
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp v-vi
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Index
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 399-408
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Bibliography
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 359-398
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Chapter Four - Domesticating Devotion
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 211-264
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Acknowledgments
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp xiii-xvi
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List of Illustrations
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp vii-xii
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Copyright page
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp iv-iv
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Chapter One - Saving Face
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 27-83
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Chapter Two - FromMemoriatoVisio: Revising the Donor
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 84-148
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Vision, Devotion, and Self-Representation in Late Medieval Art - Title page
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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Chapter Three - Framing Vision: The Image of the Book Owner and the Reflexive Mode of Seeing
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014, pp 149-210
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Vision, Devotion, and Self-Representation in Late Medieval Art - Half title page
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- Vision, Devotion, and Self-Representation in Late Medieval Art
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Notes
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- 31 March 2014, pp 293-358
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Introduction
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- 31 March 2014, pp 1-26
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Vision, Devotion, and Self-Representation in Late Medieval Art
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- 31 March 2014