Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-cnmwb Total loading time: 0 Render date: 2024-07-18T23:25:34.154Z Has data issue: false hasContentIssue false

7 - THE OLIVER! PHENOMENON; OR, ‘PLEASE, SIR, WE WANT MORE AND MORE!’

Published online by Cambridge University Press:  05 February 2013

Carrie Sickmann
Affiliation:
Indiana University
Juliet John
Affiliation:
Royal Holloway, University of London
Get access

Summary

On thursday 30 june 1960, a hummable musical ‘freely adapted’ from Oliver Twist (though also inspired by a chocolate bar) ‘sizzled’ onto the stage of the New Theatre, London, launching the star careers of standup comedian and cabaret artist Ron Moody (Fagin), night-club singer Georgia Brown (Nancy), and a string of musical Artful Dodgers, including Davy Jones (later one of the pop group the Monkees, who performed as the Dodger on ‘The Ed Sullivan Show’ the same night the Beatles made their American TV debut), the rock star Phil Collins (‘the loudest Dodger’, his child-actor-agent mother proudly recalled), the Small Faces singer-guitarist Steve Marriott, and the teen actor Jack Wild (who went wild, as ex-Dodgers were wont to do). ‘The curtain-calls went on and on’, recalled Moody, ‘there was a kind of electrical magnetism around the theatre.’ ‘A triumph … rush for seats’ raved the Evening Standard; ‘A magical musical’, sang the Sunday Dispatch; ‘A whopping welcome winner’, proclaimed the Daily Sketch. On 20 November 1965, on its 2,284th performance, Oliver! became the longest-running musical in British theatre history; at its final, 2,618th performance, there were an astonishing twenty-five curtain calls. On 14 November 1964, Oliver! became the longest-running British musical ever seen on Broadway. (Records encapsulate both the legends and the economics of theatre history.) Translated to film, at huge cost, the last of the classic screen musicals, in 1968, Oliver! won six Oscars.

Type
Chapter
Information
Dickens and Modernity , pp. 150 - 170
Publisher: Boydell & Brewer
Print publication year: 2012

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×