Hostname: page-component-84b7d79bbc-g5fl4 Total loading time: 0 Render date: 2024-07-29T04:48:06.170Z Has data issue: false hasContentIssue false

Hugh Travers Tracey (1903-1977)

Published online by Cambridge University Press:  14 February 2019

A. M. Jones*
Affiliation:
St. Albans, Herts, England

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Obituary
Copyright
Copyright © 1978 By the International Folk Music Council 

References

Bibliography: A Selection

Abbreviations: AM = African Music AMSN = African Music Society Newsletter Google Scholar
n.d. 1929 Shona Music (Unpublished manuscript). “Some Observations on Native Music of Southern Rhodesia,” NADA (Salisbury) No. 27.Google Scholar
n.d. 1933 Songs from the Kraals (published privately).Google Scholar
n.d. 1940 Antonio Fernandes, Descobridor de Monomotapa (Arquivo Histórico de Moçambique). “Native Dancing: A Wasted Asset,” NADA No. 17:2834.Google Scholar
n.d. 1944 Chief Above and Chief Below. A Musical Play for Africans Based on a Zulu Legend. Pietermaritzburg, South Africa: Shuter & Shooter.Google Scholar
n.d. 1948 Zulu Paradox. Johannesburg: Silver Leaf Books. Ngoma: An Introduction for Music for Southern Africans. Capetown: Longmans, Green & Co.Google Scholar
Zulu, Lalela: 100 Zulu Lyrics. Roodepoort: African Music Society. Chopi Musicians: Their Music, Poetry and Instruments. London: Oxford University Press. Reprinted in 1970.Google Scholar
Recording Journey from the Union into the Rhodesias,” AMSN 1(2): 1214.Google Scholar
Zulu, Lalela 1949The African Music Society,” JIFMC 11:5960. “Musical Wood,” AMSN 1(2): 1721.Google Scholar
Zulu, Lalela 1950Recording Tour 1949,” AMSN 1(3):3337.Google Scholar
Zulu, Lalela 1951Música africana,” Boletin de la Sociedade de Studo da Colónia de Moçambique 21(69):6164.Google Scholar
Zulu, Lalela 1951Recording Tour, May to November 1950, East Africa,” AMSN 1(6):615.Google Scholar
Zulu, Lalela 1952Recording Tour in Tanganyika by a Team of the African Music Society,” Tanganyika Notes and Records 32:4349.Google Scholar
Zulu, Lalela African Dances of the Witwatersrand Gold Mines. Johannesburg: African Music Society.Google Scholar
Zulu, Lalela 1953African Music and Dance,” United Empire 44(6):252–54.Google Scholar
Bantu Music,” Theoria 5:5262.Google Scholar
Recording in East Africa and Northern Congo,” AMSN 1(6):615.Google Scholar
Short Survey of Southern African Folk Music for the International Catalogue of Folk Music Records,” AMSN 1(6):4146.Google Scholar
Zulu, Lalela 1954The State of Folk Music in Bantu Africa,” AM 1(1):811.Google Scholar
Short Note on the Social Value of African Derived Music,” Community Development Bulletin 5(3):5759.Google Scholar
The Social Role of African Music,” African Affairs 53(212):234–41.Google Scholar
The Problem of the Future of Bantu Music in the Congo,” Problèmes d'Afrique centrale 7(26):272–77.Google Scholar
Zulu, Lalela 1955Recording African Music in the Field,” AM 1(2):611.Google Scholar
Future of Bantu Music in the Congo,” The Belgian Congo Today 4(2):6468.Google Scholar
Zulu, Lalela 1957The African Music Society,” Ethnomusicology Newsletter 1(11): 1618.Google Scholar
Recording in the Lost Valley,” AM 1(4):4547.Google Scholar
Bantu Culture in South Africa: A Study in Sound, Form and Colour. Pretoria: State Information Office, Fact Paper 47 (November).Google Scholar
Zulu, Lalela 1958Towards an Assessment of African Scales,” AM 2(1): 1520.Google Scholar
African Music within Its Social Setting,” AM 2(1):5658. [See also JIFMC (1959) 11:2324.]Google Scholar
Report on the I.L.A.M. Nyasaland Recording Tour,” AM 2(1):6568.Google Scholar
A Unique Set of Tuning Forks for Students of African Modality,” AM 2(1):7778.Google Scholar
Zulu, Lalela 1959The Future of Music in Basutoland,” AM 2(2): 1014.Google Scholar
The Lost Valley: A Feature Programme for Broadcasting,” AM 2(2):44-57 (with Peggy Tracey).Google Scholar
Recording Tour of the Tswana Tribe,” AM 2(2):6268.Google Scholar
Basutoland Recording Tour,” AM 2(2):6976.Google Scholar
Zulu, Lalela 1960Sotho Folk Music,” Lesotho 2:3748.Google Scholar
Zulu, Lalela 1961The International Library of African Music,” The Folklore and Folk Music Archivist 4(2): 13.Google Scholar
A Case for the Name Mbira,” AM 2(4): 1725.Google Scholar
Tina's Lullaby,” AM 2(4):99101.Google Scholar
Zulu, Lalela 1962Bantu Can be Better Understood by Appreciating His Music,” Music and Dance 52(7):2223.Google Scholar
The Arts in Africa: The Visual and the Aural,” AM 3(1):2032.Google Scholar
Zulu, Lalela 1963Bantu Music,” South African Scope 6(6):810.Google Scholar
Behind the Lyrics,” AM 3(2): 1722.Google Scholar
The Development of Music,” AM 3(2):3640.Google Scholar
Zulu, Lalela 1964Wood Music of the Chopi,” JIFMC 16:91.Google Scholar
The Development of Music in Africa,” Optima (Johannesburg) 14:4249. [See also Tanganyika Notes and Records (September) 63:213–21.]Google Scholar
Zulu, Lalela 1965A Plan for African Music,” AM 3(4):613. [See also Composer (1966) 19:712.]Google Scholar
Music Appreciation among the Shona in the Early Thirties,” AM 3(4):2934.Google Scholar
I.L.A.M. Recording Tour (South West Africa and North-Western Cape),” AM 3(4):6870.Google Scholar
African Music in Northern Rhodesia,” Zambia Journal (Lusaka) 6:163–66.Google Scholar
Zulu, Lalela 1966L'Avenir de la musique africaine,” Afrika 7(2): 1417.Google Scholar
Father's First Car. London: Routledge & Kegan Paul.Google Scholar
Zulu, Lalela 1966/67Musical Appreciation in Central and Southern Africa,” AM 4(1):4755.Google Scholar
The Text Book Project for African Music,” AM 4(1):6465.Google Scholar
Zulu, Lalela 1967 The Lion on the Path and Other African Stories. London: Routledge & Kegan Paul.Google Scholar
Zulu, Lalela 1968Project for the Codification of African Music and the Compilation of Textbooks for Educational Purposes,” AM 4(2):69. [See also the Bulletin of the International Committee on Urgent Anthropological Research 10:3540.]Google Scholar
Zulu, Lalela 1969 Codification of African Music and Textbook Project: A Primer of Practical Suggestions for Fieldwork. Roodepoort: International Library of African Music (with Gerhard Kubik and Andrew T.N. Tracey). “Measuring African scales,” AM 4(3):7377.Google Scholar
Zulu, LalelaThe Mbira Class of Instruments in Rhodesia (1932),” AM 4(3):7895.Google Scholar
Zulu, Lalela 1973 Comp. Catalogue. The Sound of Africa Series: 210 Long Playing Records of Music and Songs from Central, Eastern and Southern Africa. Roodepoort, Transvaal: International Library of African Music. 2 vols.Google Scholar
[N.B. For Hugh Tracey's recordings, see Merriam, Alan P., African Music on LP: An Annotated Discography. Evanston: Northwestern University Press. 1970, Index IV, p. 134.]Google Scholar