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Lisbet Torp. Chain and Round Dance Patterns—A Method for Structural Analysis and Its Application to European Material. University of Copenhagen: Museum Tusculanum Press, 1990. Part I pp. 173, photos, indices, bibliography; Part II pp. 202, catalogues; Part III pp. 118, examples (notations), tables, questionnaires, map.

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Lisbet Torp. Chain and Round Dance Patterns—A Method for Structural Analysis and Its Application to European Material. University of Copenhagen: Museum Tusculanum Press, 1990. Part I pp. 173, photos, indices, bibliography; Part II pp. 202, catalogues; Part III pp. 118, examples (notations), tables, questionnaires, map.

Published online by Cambridge University Press:  07 March 2019

Anca Giurchescu
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Type
Book Reviews
Information
Yearbook for Traditional Music , Volume 23 , 1991 , pp. 135 - 139
Copyright
Copyright © 1991 by the International Council for Traditional Music

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References

Notes

1. This direction of dance movement analysis is not mentioned by the author. There are, however, some viable studies dedicated to semiotic dance analysis: Williams, Drid 'The deep structures of the Dance I. Constituent syntagmatic analysis“, Journal of Human Movement Studies, 1976 (2): 123-144 (a) and ”The deep structures of the Dance II. The conceptual space of the Dance, Journal of Human Movement Studies, 1976 (3): 155-181 (b); Gell. Alfred “On Dance Structures: A Reply to Williams, Journal of Human Movement Studies, 1979 (5): 18-31; Griemas, A.J. Du sens, Paris: Seuil, 1970.Google Scholar

2. Blacking, John “The Structure of Musical Discourse: The Problem of the Song Text”, Yearbook for Traditional Music, 1982 (14): 15, Canada: Brown and Martin, Ltd.Google Scholar

3. IFMC Folk Dance Study Group “Foundation for the Analysis of the Structure and Form of Folk Dance: A Syllabus”, IFMC Yearbook, 1974, vol. 6: 115–135; Dărowska, Graźyna and Kurt Petermann (eds.) Analyse und Klassifikation von Volkstänzen., Krakow, PWM, 1983: 14-17, 36-37.Google Scholar