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Article contents
Lisbet Torp. Chain and Round Dance Patterns—A Method for Structural Analysis and Its Application to European Material. University of Copenhagen: Museum Tusculanum Press, 1990. Part I pp. 173, photos, indices, bibliography; Part II pp. 202, catalogues; Part III pp. 118, examples (notations), tables, questionnaires, map.
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Published online by Cambridge University Press: 07 March 2019
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- Copyright © 1991 by the International Council for Traditional Music
References
Notes
1. This direction of dance movement analysis is not mentioned by the author. There are, however, some viable studies dedicated to semiotic dance analysis: Williams, Drid 'The deep structures of the Dance I. Constituent syntagmatic analysis“, Journal of Human Movement Studies, 1976 (2): 123-144 (a) and ”The deep structures of the Dance II. The conceptual space of the Dance, Journal of Human Movement Studies, 1976 (3): 155-181 (b); Gell. Alfred “On Dance Structures: A Reply to Williams, Journal of Human Movement Studies, 1979 (5): 18-31; Griemas, A.J. Du sens, Paris: Seuil, 1970.Google Scholar
2. Blacking, John “The Structure of Musical Discourse: The Problem of the Song Text”, Yearbook for Traditional Music, 1982 (14): 15, Canada: Brown and Martin, Ltd.Google Scholar
3. IFMC Folk Dance Study Group “Foundation for the Analysis of the Structure and Form of Folk Dance: A Syllabus”, IFMC Yearbook, 1974, vol. 6: 115–135; Dărowska, Graźyna and Kurt Petermann (eds.) Analyse und Klassifikation von Volkstänzen., Krakow, PWM, 1983: 14-17, 36-37.Google Scholar